@schubert Well Len regarding Phillip he was pretty well liked up here not least for the fact that he was always aware that the Queen was first in everything. I see Nichola getting her two faced tribute in, she never hid her dislike of the Royals. I find that I can be a bit ambivalent about them in that I find that they can be good to promote the country but there are too many of them. It has gotten so bad now that the Queen is supporting some of them from her personal estates.
Classical Music for Aficionados
I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
- ...
- 3877 posts total
Brahms/Heifetz: Excellent recorded sound, but for me the performance feels rushed, too fast. Heifetz was a fantastic virtuoso, but sometimes sounded as if he used his virtuosity for the sake of showmanship. His earlier recording of this concerto with Serge Koussevitsky and Boston symphony, while not nearly as good recorded sound wise is more musical, taken at more reasonable tempos. In fact, the performance is more than three minutes slower than the Reiner/Chicago; a good thing, in this case. A favorite, warmer and more poetic performance is Nathan Milstein with Philarmonia Orchestra/Anatole Fistoulari. Of note is the fact that the first movement cadenza is by Milstein himself. Then again, I can’t think of a Milstein recording that I haven’t liked. |
Sometimes ? I thought was all the time . Another good one is Gil Shamam/Berlin Phil/ Claudio Abbado https://youtu.be/sXPKJjNNI1s?t=2 One Great of Brahms Symphonies that seems to not get much love is ,Staatskapelle Dresden /Kurt Sanderling . solid as a rock . You Tube clips are NOT ! |
Mozart Mozart Overtures Academy of St. Martin-in-the-Fields Neville Marriner EMI Label, Recorded 1982 Marriner was one of the founders of ASMF. Now led by American Violinist Joshua Bell. From the Notes: " A night at the opera has not always been the event of serious enjoyment it is today. In earlier days, noise from an audience bent on treating the opera as an excuse for social merriment was likely to compete with the start of the music, very much to the latter's disadvantage. To combat this, composers developed the Overture (literally "opening"), in which instruments struck up with a few loud chords to quell conversation and capture attention ..... Gradually these chords grew into a complete and self-contained movement..." le nozze di figaro https://www.youtube.com/watch?v=AOiTSAH7Bi0 don giovanni https://www.youtube.com/watch?v=S45XHZbz84s die zauberflote https://www.youtube.com/watch?v=6cU1VyECXAg Sometimes, the Overture is the best part of the Opera. Cheers In case you wondered. https://en.wikipedia.org/wiki/St_Martin-in-the-Fields |
- 3877 posts total