Copper v. Silver IC sound


I think most would agree that there is a trend for copper IC's to give a fuller midrange at the expense of some transparency, and for silver to give a pure extended top end while sounding a bit lean elsewhere. Some people will "mix" their IC's, say, using silver from source to preamp, then copper from preamp to amp. My question is: In this example, could one "lose" the warmer midrange in the first silver run, such that it could not be "recovered" in the second copper run? Conversely, could an initial copper run "reduce" the highest frequencies, such that they would not be "available" to the silver cable during the second run?
Or, are all the frequencies always carried along equally by most silver/copper IC's, with the final "presentation" of mids versus highs determined by the last cable in the system? Obviously I need to just try the experiment, but I don't have all the cables on hand, and I'd like to hear the experience and opinion of others. Thanks.
ral
Relatively and theoretically speaking:

If we pick up both ABSOLUTELY pure cooper and silver conductors, silver conductors will have: ~10x better per/unit conductivity and derived quality from better conductivity is a possibility to design less p/u inductance and p/u capacity IC. Certainly freequency bandwidth will become much wider than in cooper conductor. I.e. ideal silver conductor must have much better details(not colourations)

In the real world there is no such thing as an ideal cooper or silver, but every brand that produces ICs($30...$3k) will assure that their cables uses the purest conductors on the market.

Without looking into internal structure of each conductor in our silver or cooper ICs we cannot realy make any particular conclusion that cooper is better than silver or vice versa.
In adding to the aforementioned comments...

I would suggest you try as I have the newest (not really so
new) hybrids from the likes of Harmonic Technologies. The Magic Series.

From the website "The MAGIC Link One implements a unique bimetal blend of our now famous pure Single Crystal TM (OCC) silver and copper conductors, creating an interconnect with an unmatched balance of transparency, detail and harmonic balance."

I have these IC's as well as the Digital cable from my transport to the DAC and they are really wonderful. I guess you get most of the benefits of both metals though I feel you give up "Just a Tad" only getting 90% of the effects of either/both metals. Perhaps when you add it all up its a good thing.

I understand that Acoustic Zen is doing some of the same.

I have tried the methods listed above (Silver/Copper IC mix) and found it didn't work as well as the Magic's. Listen to them and then look for used. Its where the real value is, not the new price BIG $$$'s here.

Well there you have it for what its worth.

One though to keep in mind...

" The whole is made up of the sum of its parts "

Listen carefully and choose wisely. You will have that
great sound you've wanted.
I agree with what Marakanetz stated about the inability to do conclusive comparisons between silver and copper without adequate information on each cable design. Cables vary in their capacitance, inductance, resistance, and resonance to mention just a few of the variables which affect the sound of the end product. Unfortunately, their are no truely "neutral" components nor are their any "neutral" cables. We all work with a bit of a "bent tool" since recordings sound different due to all the variables in a recording studio chain. In my experience, silver and copper do sound very different. However, solid sounds very different than stranded, and PE sounds different than PTFE (Polyethylene and teflon) as dielectrics. I have designed a large number of cables for an audio manufacturer and all of these variables were very audible. Which was "best" depended on which system was utilized. The only generalizations I could make is that silver sounds faster, leaner, more extended on the top but can turn hash if your source is poor or if the cable is of poor quality. Stranded copper sounded smooth and seductive with a PTFE dielectric in interconnect but a little loose in speaker cables with our configuration. Solid copper sounded a lot like silver and silver plated copper even more so. Personally, I use silver interconnects and silver speaker cables all with Cardas connections or Vampire. I hope this is of some help. Get a bunch of cables, have a friend change them, and listen, listen listen. Cables I would recommend are Cardas Neutral Reference, one of the best for the money I have heard, some of the AQ are good but a little high priced, Nordost, Kimber, Siltech, and MIT. Happy listening, JW
Jallen brings up a good point about the difference in the type of conductor used, not only the material used. I agree that stranded and solid sound QUITE different using identical geometries and dielectrics. Changing the gauge of conductors using identical geometries and dielectrics also changes the sound. Lighter gauges will sound quicker and leaner and vice-versa.

There are SO many variables that picking the "right" cables can be quite tough. That is how i got into building cables and doing comparisons. You can build cables to your own specs in terms of grade and materials, geometrical designs, lengths, etc... and see what factors contribute to the sonics that you are looking for.

Where's Bob Crump when you need him.... : ) Sean
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Wow- thanks for the info. and opinions everyone. But no need to end this thread now...it's very interesting... keep your responses coming! I had a question for Djgj regarding the Harmonic Tech Magic IC's, where the strategy is mixing copper and silver wires within the same cable: How do they compare to the ProSilwayII, which uses the same philosophy? I personally found the SilwayII's a bit lean in the midrange, as if the silver component was dominanting over the classical warm copper sound.