Damping Vibration - Friend or Foe?



Hi All,

I have been reading many discussions regarding the use of damping in and around audio components here on Audiogon. I thought that the following discussion from the FAQ page of my company’s website would add a little clarity. The example here involves a home theater system but the same principles hold true for an audio only system.

Question: Some people claim that adding damping to components to control vibration can sometimes make them sound less dynamic and somewhat lifeless. Why should this be so when damping reduces the problems of vibration and resonance?

Answer: I have also heard the same comments a number of times. Unfortunately, people mistakenly attribute these negative changes in performance solely to the addition of damping to a component. If we look at the entire evolution of an audio or video system we can gain a much more clear understanding of what is happening and why it is happening.

Let’s say that John, who is an audio and video enthusiast, decides to put together a really nice home theater system. He reads a number of magazines, visits websites devoted to these topics and assembles a system composed of many highly rated components. John sits down to enjoy a well produced action movie but a few minutes into the first scene realizes that he’s not hearing or seeing what’s been described in the magazines by the reviewers. The highs are bright and harsh, the midrange is forward and the bass is bloated and ill defined. The video picture is also disappointing – the images are not very sharp or detailed, it looks rather two dimensional and the color is only so-so. What’s going on? These are all really good and pretty expensive components!

John decides to try different interconnect and speaker cables to deal with the audio problems. After two or three weeks of trying a number of different brands he decides on Brand X between the converter and the surround processor (it had the smoothest highs) Brand Y between the processor and the amplifiers (it had the best midrange) and Brand Z to the subwoofer (it had much better bass). In addition, he spent a many hours trying different speaker positions. It also happened that the cable between the DVD player and the video projector John chose was from Brand X - it reduced many of the video problems he was seeing. He then had a technician come out and recalibrate the projector for this new cable. Now John is happier with the system, after all, he even switched the front amp for a different brand. But after a few weeks he is still noticing that the highs have sibilance during loud passages, are still kind of bright, and the midrange, although better than before, still honks a little and is not that distinct on complex dialog. Plus imaging is good but not great. The bass is better but he’s had to try the subwoofer in nine or ten different positions and, of course, the one that sounded best was right in the middle of the walkway!

John is bummed but starts thinking about acoustical treatment for his room and decides that adding some of that will surely make the system sound great. He borrows a bunch of different devices from a number of dealers and spends all day and night Saturday and Sunday trying all of the devices in different combinations and positions. By 11:59 P.M. on Sunday night he’s finally found the best compromise that takes care of many of the other audio problems, although some still remain.

All this work has left John exhausted but happy for a couple of months. He can now at least enjoy watching movies but increasingly is annoyed by the remaining audio and video problems. Over time he’s also noticed some new problems he hadn’t noticed before!

Well, now what? John does more reading. He’s read about vibration control before but now starts to think more seriously about it. He knows that Brand B’s products (high-mass and high-absorption damping devices) get great reviews and have won lots of awards so he decides to try them. He places a compliant decoupling platform on the shelf, a high-mass and high-absorption isolation platform on top of the compliant platform, the DVD player on top of the high-mass platform and a high-mass damping pod on top of the DVD player and the surround processor. Well just about all of the remaining audio and video problems are now gone – the highs are very smooth, the midrange is clear and the bass is much tighter, the video picture is far better – but somehow things sound constricted and lifeless. John likes the improvements but is not very sure that this is good thing overall.

What is really going on? As we’ve seen, John has taken a fairly convoluted road to reach the point of trying the damping products. Along the way he has made many choices of associated components, accessories and set-up to optimize the system. “Optimize“ has mostly meant reducing obvious and subtle problems and enhancing certain other aspects of performance. Unfortunately, much of this effort has been an attempt to reduce the negative audio and video artifacts of vibration contamination. The choice of cables, acoustic treatment devices, speaker position, etc. have all been made to ameliorate the SYMPTOMS, not the CAUSE of the problem – vibration! Once the cause of the problem is eliminated, the system shows itself for what it is – a system where the highs and mids have been pushed down in level and dynamic range because of acoustical treatment devices and associated components, where imaging has been manipulated by speaker position and acoustic treatment to compensate for random out-of-phase elements, where subwoofer position has been chosen as a compromise, where video calibration and associated components have been selected to compensate for vibration induced jitter and other artifacts in the video bitstream, etc., etc., etc. It is no wonder that John was under-whelmed when he added the damping devices!!

Also at issue is the fact that the designers of the components in the system have voiced their designs with vibration (most probably) present in their reference systems. They have compensated for the problems introduced by vibration and resonance by changing parts and topology to minimize the symptoms (not the cause) of that problem. It is quite possible that effectively eliminating vibration and resonance with damping is letting you REALLY hear how the component has been designed.

It is often the case that the choice of set-up, associated components, ancillary accessories, acoustic treatment, etc. has to be significantly and fundamentally reevaluated when adding devices that eliminate basic problems in a system – especially problems that are as pervasive and permeating as those brought about by unwanted vibration and resonance.

Best Regards,

Barry Kohan

Disclaimer: I am a manufacturer of vibration control products.
bright_star_audio
" It is also a fact that as one sits in their cushy(well-damped) listening chair feeling the vibrations from the music, one can bet dollars to doughnuts that their equipment is feeling pretty much the same vibrations regardless of whose vibration control system products are being used."

Though there is much to say on the whole subject, the sentence above is easy to disprove - at least in my house. Place your hand on the listening couch and you feel the whole dynamic shape of the music. This is 80-90% floorborne, as you can show by placing a screen in front of the couch to block off the direct radiation (no, that won't kill ceiling or sidewall reflections which are still there). Now, place your hand on the top chassis of your gear, which in my case sits on a Grand Prix stand. Nothing to feel. In other words, the amplitude of surviving vibration is vastly lower.
Barry what is the bandwidth of your devices? Have you calculated a refresh rate ..at what point do your devices become saturated and then impede frequencys that follow? Tom
I'm sure Barry can and will respond for himself, but a few thoughts...

First, I didn't read Barry's response to say his products completely protect components from "ALL vibrations".

If you read carefully, he said his products ADDRESS more than just one type of vibration and MINIMIZE (not totally remove) their effects. I think he was correct in pointing out that many vibration control products ONLY try to address one or two types of vibration. He's saying his products ATTEMPT to address all three. Whether they do or not and to what degree can be debated. However, to criticize his argument because he is attempting to address all factors seems backwards.

As for your proposed experiment, I can almost guarantee the vibrations you feel in your couch would change if you placed it on top sand box and added mass to your body. Would it totally eliminate the vibrations you feel now - probably not, but I'm sure it could remove or dissipate some of it. I'm not sure why that's so hard to understand.
Labtec, thanks for clarifying. I did not confirm exactly what Barry stated and I certainly don't want to misquote or even misinterpret what somebody else says.

But I got the impression that Barry was addressing his products effects from a somewhat hypothetical and third person perspective.

If Barry is only saying that his products ATTEMPT to address all three, then it may still be fairly safe to assume that he has a certain level of confidence that he has done so properly and adequately.

Whether Barry has that confidence level or not really does not matter. For even if Barry claims that his products only attempt to address all three, I don't believe that I would have to change any of the questions I posed to him.

As for my example of sitting in a cushy chair. We're talking about 8 to 10 inches of foam atop of springs under my normally weighted buttocks. How much more isolation do I need? If I lift my feet off the floor I still receive what I perceive to be the near exact same level of air-borne vibrations contaminating my body. And it's my believe that it's those same vibrations to one degree or another that my components are also capturing. Again a simple test.

I don't see what's so hard to understand there. Since putting a sandbox under the chair is a bit impractical, why not put 2 or 3 cushions on top of one another and then sit cross-legged on those cushions. I haven't tried this yet, (perhaps I should) but I would venture a guess that I will still capture the near exact same air-borne vibrations. Now that would be a practical and easy test.

As for floor-borne vibrations, I personally don't even consider that much of an issue unless I had a much older home and a very, very bouncy flooring system.

-IMO
"As for floor-borne vibrations, I personally don't even consider that much of an issue unless I had a much older home and a very, very bouncy flooring system. "

Stehno -
Unless your speakers stand on isolated rocks, they couple mechanically into your floors. Low frequencies from traffic, from seismic sources and the like couple into your entire building structure as well as the floor. Woofers direct energy at the floor (amplitude from a point source decreases with distance squared, the floor is CLOSE to your woofers). Read some of the many articles on vibration sources in sound systems, talk to a studio designer, talk to an acoustician, read Stereophile, just do some research already.