Dover, your post leaves me with a lot of questions, but I won't go there. However, there is a need to explore torque and inertia. They can be confusing terms. Explained in the very most simplistic way possible, torque is what you need to get the platter spinning, and inertia is what you need to keep it going smoothly.
So, it is possible to get very good results with a very low torque motor because you can still have good inertia. The downside is that the turntable will reach its speed much more slowly, assuming the platter is a heavy one.
You can have both high torque and high inertia, but there is usually a price to pay. That price is motor size and lots of heat generated by it. Ashland was noted for making such motors, and quiet ones at that. The one used in a Fairchild 750 studio machine is the size of a clothes dryer motor, and it runs very, very warm. So does the more common one found on some Rek-O-Kut turntables and the Canadian made McCurdy. I would be happy with either motor in the Saskia, but they are no longer available.
By comparison, we are stuck with lower torque motors, if we want great precision, but we can still have lots of inertia. This is where system design comes into play, and done right a design can greatly benefit speed accuracy.
I suppose the point here is that most turntables, if not all, are compromised to some degree, however small. The trick is in making certain that any of those compromises do not negatively affect the end result. Hopefully, reliability and looks aren't affected, either. It isn't as easy to accomplish as you might think. Such an undertaking requires a lot of thought.
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