Do I esentially have a class A amp?


I have a Krell KST 100 which has class A/B topology but it runs in class A up to 50 watts or half power before sliding over to class B. At most I may use 10 watts and at that very rarely when I drive my Vandersteens. So my question is do I essentially have a class A amp?
128x128digepix
Kijanki, there have been many threads which speak to the trade-offs of using NF. Certainly, Ralph (Atmasphere) has written quite a bit about NF.

Just curious, does it matter how the NF is applied: local or global. For example, my amp uses a form of local feedback. I believe ARC describes it as "partial cathode following," which in English relates in someway to the topology between the output tubes and the output trannies.
Used to have Quicksilver M60 to drive my Aerial 10t. Sounded great. Quickies were driving once owned Vandy 2ce. Still love these and regret selling.
Switched to Krell KAV300i sounded better.
Than switched to Sunfire 300 sounded even more better.
If I get Sunfire 600(devoted to them since), they will sound even more better.
Better bass, better imaging and presentation.
Bigger power brings bigger sound. Loudness is measured at 1khz, don't forget. Other frequencies will act different. My speakers can be brought to 25Hz FLAT with powerful amp.
I suppose that's true. In my circumstance, I bought a 250 wpc Parasound amp, and as it turns out I don't like the volume above maybe 10 wpc with my speakers in my room! I could have bought a 100wpc amp instead. But on the other hand, I do occasionally crank it up on some passages and it's jaw dropping to hear a gorgeous vocal or cello.

Perhaps there's a benefit with having too much amp!
Runnin, 250W would be nice if you can get it for the same price as 100W but if it is more money than perhaps getting better 100W (better design, better components) would bring more satisfying sound.

Bifwynne, Local feedbacks are better. Even emitter (or cathode) resistor is a form of NFB. SS amplifier, being voltage source, needs feedback at least for the output stage. Tube amps, being power source, most likely need less of it.

It is possible to design amplifier with negative feedback free of TIM. Since problem of TIM is caused by summing fed back delayed signal, during fast transition, it would be logical to prevent fast transitions and to eliminate delay. It comes to bandwidth limiting input stage before summing point and extremely fast output stage. High quality parts have to be used to achieve good initial linearity and wide bandwidth. NFB should be mostly local but also shallow just to bring THD distortions to about 0.5%. Bandwidth should be limited at the input to one that amp had before feedback was applied (since NFB widened bandwidth).

Such amp will have 0.5% THD and perhaps only 50kHz bandwitdh not to mention relatively high output impedance. THD distortion is not that audible, 50kHz bandwidth is passable and output impedance doesn't matter because inductor in series with the woofer is about 0.1 ohm (limitting DF to 80) while speaker impedance (being source impedance for back EMF) is mostly resistive.

Would you buy 100W amp with THD=0.5%, 20-50kHz, DF=50 when somebody else is selling 250W with THD=0.01%, 20-200kHz, DF=1000 ?
Specifications are useless - only sound matters. All comes to good design, quality (expensive) components and smart compromise.
Kijanki, Could you translate the paragraph you wrote into English please, particularly the phrases framed with double astericks (**):

"Such amp will have 0.5% THD and perhaps only 50kHz bandwitdh not to mention **relatively high output impedance.** THD distortion is not that audible, 50kHz bandwidth is passable and **output impedance doesn't matter because inductor in series with the woofer is about 0.1 ohm (limitting DF to 80) while speaker impedance (being source impedance for back EMF) is mostly resistive.**

Thanks