Dodd preamp vs. McCormack RLD-1 preamp

Very true. And interesting how much audio reviewing focuses on an individual piece of equipment with little focus on system context and combinations. For example if I were reviewing the Atma-sphere M60s with a Dodd versus the Atma pre, I would ascribe very different attributes to the M60s. Makes the good, better, best questions regarding equipment obviously difficult to answer. But in my system with the Music Reference amps, the Dodd sounded better to me facing a fairly strong lineup of preamps - it is no doubt a very good preamp worth auditioning, no matter what you are willing to pay for a preamp. Will it be your cup of tea? No substitute for listening.

Yes. Reviewer's commends or even our own impressions should be used as the basic guidelines. That's the way I see it.
And even if such a think as neutral, colorless component existed it doesn't guaranty the ultimate in performance.
There is always the weak link and compromises must be made.

But in my system with the Music Reference amps, the Dodd sounded better to me facing a fairly strong lineup of preamps - it is no doubt a very good preamp worth auditioning, no matter what you are willing to pay for a preamp. Will it be your cup of tea? No substitute for listening.

I absolutely agree with your statement and reference to your own judgment as the final and only step to be 100% sure.

As to Dodd and its competition. I agree and will also add that it is more flexible then others in regards to tailoring the sound to your taste. A simple tube rolling is not only fun but useful tool in fine tuning the sound to your ear and your system. That is the beauty of tubes and simple but still innovative design of Dodd that makes it special.

Those that are sceptical about its value, quality, overall performance, lock of dealers, direct sells and unfortunate inability of auditioning it at home with 30 days money back guaranty (like other do).... hold on to your wallets and buy whatever it is that makes you smile.
But believe me, you can do a lot worst and spend a lot more.

Mariusz

Looks like he selling direct now, and lowered the price to $2,600. I'm not sure what the "returns" experience is for those providing 30-day trials (Placette, Red Wine,etc.) But it seems that dealer sales as a model is at the very least being challenged for 2-channel audio; I've got to believe most are surviving on HT and installations. It seems to me that if your going to sell direct, you can cover "returns" after 30-days as a cost of doing business (should there be damage etc.) with no middle man to take a piece of the pie.

Yeap, he went direct for a while now.. I have just noticed the price adj. Cool, but he should still offer the 30 days in home audition with money back to ease the decision making for those interested in his products.
RWA has no questions asked policy. If you do not like it, just ship it back. No restocking fees , non of that nonsense.

And you are right, 99% of Dodd users ends up keeping it.
As far as I know, only a hand full of Dodds were sold on used market. They usualy sell in a day or two though.
Another Dodd user that I know, sold his piece because he chose to go directly from his CDP to his amps.

Mariusz

Pubul57 what type of amperexes are you trying?

I find the Dodd to be very neutral, with strong dynamics, good at the frequency extremes. My speaker cables and interconnects were all zcable. I actually switched one of the interconnects to a Ram silver interconnect which gave better base definition and overall air around instruments and performers.

Very interested how the amperexes sound compared to the stock JJs.

I'm using the Dodd in conjuntion with Dodd 120's generation 2. Using virtual dynamics nite pc on the 120's and zcable lighting on martinlogan sl3s.