Does anyone use a RUMBLE filter?


I am having way to much cone movements on my main speakers and Sub when I play vinyl. Someone suggested I purchase a rumble filter from KAB audio. I notice that a lot of the cheaper phono preamps have these filters built in. When I purchased a more expensive better sounding unit ..it dosent have one. So I am wondering why dont a lot more companys sell these things if they are so important? I need to buy one and they dont seem to be very expensive $170 + another IC cable.
128x128mattmiller
Dear Lewm: I have no " all " solution on that regards because there are different focus where the woofer pumping can comes even an electronics severe subsonic osiilations.

I have not that kind of problem in my system but this does not means I have a precise solution because is system dependent. Many times the woofer pumping is not a very low frequency and I said " system dependent " because there are speakers that by design can't reproduce frequency below 30 hz.

Lewm, my take is that we have to fix the problem by origin but I never said it is an easy task. We have to test each audio system link because maybe you can't belive it but even an IC cables could increment the problem.

Regards and enjoy the music,
R.
That's a reasonable answer. I think that even when there is not easily visible woofer pumping, "full-range" speakers can suffer a bit from the introduction of distortions that originate from extreme low frequency (sub-audio) signal that moves them around while they are trying to reproduce audio frequencies. I believe this represents your position, as well. So one solution is a sub-woofer or separately powered woofer. But that introduces new problems of integration and from distortions introduced by the necessary crossover network. There's no free lunch.
Dear Lewm: You are right, subs are a good answer and yes always exist trade-offs that in my case I decided for the powered subs trade-offs.

Now, in my system ( and you could make the same in yours. ) I have almost no trade-offs with the subs integration because I'm not using the usual crossover for my main speakers/amplifiers. An explanation of this:

my ML 20.6 monoblocks are coupled at the input by caps and what I did is to change the value of the input cap that along an input reistor ( by design. ) makes the high pass crossover with the advantage that that cap now is of a smaller value and the best teflon kind I found out. I don't have to modify the amplifiers designs but as a fact I improve it.

In that way the main speakers/amplifiers sees only frequencies from 78hz and up and below that crossover frequency the Velodynes takes the task wit its own integrated crossover.

I can tell you that works truly fine and with a huge improvement lowering the IMD in the main speakers. You need to test it this way and if you don't like it just come back to original status.

I know you have the knowledge and skills level to do it.

Regards and enjoy the music,
R.
Raul, Yes, that's the way I would do it too. Use only a small value very high quality cap as a high pass filter in front of the amplifier that drives the upper frequencies. Then use a very high quality electronic crossover, with a steeper slope, to derive the low pass filter that drives the woofer amplifier. That's what I am doing with the Bev 2SWs, and I am very pleased. With a little fiddling, the crossover point is not audible. This is relevant to the topic, because by introducing the separate woofer/subwoofer, one is removing any rumble distortion from the main speakers without having to resort to a "rumble filter".

And yes, the success of that set-up has me thinking about adding a subwoofer to the Sound Lab system.