Trelja,
FYI, I should clarify that I'm using only vintage gears because I prefer the sound from vintage gears much more than the modern gear.
I do agree that the modern EL34 amps sold a lot more than the modern 6L6 variants because no manufacture makes any good modern 6L6 amp these days but it does not imply that 7027/KT66/6L6GC are not as competent.
Also, not all 6L6 tubes are equal. 7027/KT66/6L6GCs are the high output tubes in the 6L6 family. They can produce same amount of power as the EL34 type.
The 6L6 variants were used for many guitar and organ amps.
There are abundant supplies of NOS 6L6 tubes. I'm not sure why manufactures today didn't pursue making the KT66 amps these days. Profit margin or it is hard to design a good KT66 amp these days since there werern't many clone circuits and good transformer available?
As far as EL34 vs KT66 tube goes for the modern home audio equipment, the modern EL34 has much higher demand and longer history than the modern KT66 due to hard to find NOS EL34 mullards and Telefunkens. Therefore, the Eastern European EL34 tubes has come a long way to make something decent when compared to its KT66 line.
I would not buy any modern KT66 amps in the future either.
I would buy the vintage PP KT66 amps.
Our friends here in NY definitely prefer the KT66/7027/6L6GC and EL84 over EL34 because the mids sounded more full bodied. Not sure if that was the reason why they use these tubes for guitar amps. They seemed to match our speakers much better than EL34s.
The EL34 might be more balanced for rock music but not the string instrument, vocal, saxaphone and drums just don't have the authority and tonal quality we like ( again, except for Marantz 9 mono blocks from the 60s.)
Again, just my opinion. I couldn't stress enough about amp design.
FYI, I should clarify that I'm using only vintage gears because I prefer the sound from vintage gears much more than the modern gear.
I do agree that the modern EL34 amps sold a lot more than the modern 6L6 variants because no manufacture makes any good modern 6L6 amp these days but it does not imply that 7027/KT66/6L6GC are not as competent.
Also, not all 6L6 tubes are equal. 7027/KT66/6L6GCs are the high output tubes in the 6L6 family. They can produce same amount of power as the EL34 type.
The 6L6 variants were used for many guitar and organ amps.
There are abundant supplies of NOS 6L6 tubes. I'm not sure why manufactures today didn't pursue making the KT66 amps these days. Profit margin or it is hard to design a good KT66 amp these days since there werern't many clone circuits and good transformer available?
As far as EL34 vs KT66 tube goes for the modern home audio equipment, the modern EL34 has much higher demand and longer history than the modern KT66 due to hard to find NOS EL34 mullards and Telefunkens. Therefore, the Eastern European EL34 tubes has come a long way to make something decent when compared to its KT66 line.
I would not buy any modern KT66 amps in the future either.
I would buy the vintage PP KT66 amps.
Our friends here in NY definitely prefer the KT66/7027/6L6GC and EL84 over EL34 because the mids sounded more full bodied. Not sure if that was the reason why they use these tubes for guitar amps. They seemed to match our speakers much better than EL34s.
The EL34 might be more balanced for rock music but not the string instrument, vocal, saxaphone and drums just don't have the authority and tonal quality we like ( again, except for Marantz 9 mono blocks from the 60s.)
Again, just my opinion. I couldn't stress enough about amp design.