Hi guys. Milled steel? Oy. I expected a non-resonant cast anodized alloy "clamp". Now it sounds even cheaper to make! Maybe the steel's required to act as a "spring-clamp" around the periphery of the CD? Still willing to give EC plenty of faith-factor here, but I DO wish the spindle-mod wasn't required so that comparisons could be made without having to have two machines side by side. I'm sorry, but this is one I'd like to see single-blinded, as expectation bias rides at full gallop....
For those of you who do NOT have last year's "power supplies diodes (24) and caps (3)" mod, these are being successfully implemented by good techs around the country in about 2-3 hrs tops. Parts cost $20. The improvement IS REAL, providing a more dynamic, lively presentation with a more forward stage. Those owners for whom RT shipping to the East Coast is challenging can save a bundle of sweat, too. OTOH I've heard from others that one can now get the 128/24 AND PS mods done together negotiated down from $1800 to $1k, + shipping. (And no, it's not from ME!) At a G this is a great deal. The 24/192 DOES give you more THERE there, and the PS mods liven it all up nicely....
But the clamp? Hmmm....forged stainless spring-steel (like a great knife), or cheap stamped stuff (back to the $5 cost)? I know, Cello, it's about the motion, not the meat, but the mech engr in me hates to pay. It's bad enough when Subie charges $60 for a small pigtailed-magnet cam/crank or knock sensor that costs $5 to get out there....
Cello, replacing the cheap uninsulated short RCA out wires with shielded silver or silver/copper just makes sense, once you're in there. The original plain hook-up wires are just soldered on in space, so it's also an opportunity to crimp on as well as adding a drop of solder. I have some nice 16/4 shielded Ag/Cu wire if anyone wants a couple of jumpers for RCA use, but again, the consensus from ALL the dealers and users I'd heard from here, in the UK, France, and Scandinavia is that balanced operation is more than just a free +6 dB, so it's even harder to comment upon the effects of successive mods when single-ended op is required.
Damn...just heard a pipe burst in the basement! Gotta go....
For those of you who do NOT have last year's "power supplies diodes (24) and caps (3)" mod, these are being successfully implemented by good techs around the country in about 2-3 hrs tops. Parts cost $20. The improvement IS REAL, providing a more dynamic, lively presentation with a more forward stage. Those owners for whom RT shipping to the East Coast is challenging can save a bundle of sweat, too. OTOH I've heard from others that one can now get the 128/24 AND PS mods done together negotiated down from $1800 to $1k, + shipping. (And no, it's not from ME!) At a G this is a great deal. The 24/192 DOES give you more THERE there, and the PS mods liven it all up nicely....
But the clamp? Hmmm....forged stainless spring-steel (like a great knife), or cheap stamped stuff (back to the $5 cost)? I know, Cello, it's about the motion, not the meat, but the mech engr in me hates to pay. It's bad enough when Subie charges $60 for a small pigtailed-magnet cam/crank or knock sensor that costs $5 to get out there....
Cello, replacing the cheap uninsulated short RCA out wires with shielded silver or silver/copper just makes sense, once you're in there. The original plain hook-up wires are just soldered on in space, so it's also an opportunity to crimp on as well as adding a drop of solder. I have some nice 16/4 shielded Ag/Cu wire if anyone wants a couple of jumpers for RCA use, but again, the consensus from ALL the dealers and users I'd heard from here, in the UK, France, and Scandinavia is that balanced operation is more than just a free +6 dB, so it's even harder to comment upon the effects of successive mods when single-ended op is required.
Damn...just heard a pipe burst in the basement! Gotta go....