Rchau,
For the record, I was not insinuating that you made it up. I just found your dealer's reaction quite surprising given that, at the very least, these are simply very good speakers. I would say that the reactions I have seen/heard (dozens) have been probably 95+% positive - most very positive indeed.
As for them not being 'revolutionary' - so what? With speakers, the devil's in the details. And, frankly, they are rather innovative. The magic seems to be due to the combination of very complete frequency response, correct dispersion/power response by the ingenious coupling of open-baffle and a waveguide (the guide takes over where the bass drivers are beaming) (power response is THE critical area neglected by almost all conventional designs), and the complete time/phase alignment offered by the DSP. The result is a speaker that honestly seems to have no dynamic compression whatsoever, has accurate timber, and portrays a very realistic soundstage.
[A lot in common with Duke's designs, incidentally, which also get around the power response problem by coupling a woofer to a similarly-sized waveguide. Duke, if I'm screwing that up please correct me!]
There is no such thing as a perfect speaker, and there are probably better speakers in certain ways, but these things did drop my jaw at RMAF last year and yes, I did finally order a pair.
For the record, I was not insinuating that you made it up. I just found your dealer's reaction quite surprising given that, at the very least, these are simply very good speakers. I would say that the reactions I have seen/heard (dozens) have been probably 95+% positive - most very positive indeed.
As for them not being 'revolutionary' - so what? With speakers, the devil's in the details. And, frankly, they are rather innovative. The magic seems to be due to the combination of very complete frequency response, correct dispersion/power response by the ingenious coupling of open-baffle and a waveguide (the guide takes over where the bass drivers are beaming) (power response is THE critical area neglected by almost all conventional designs), and the complete time/phase alignment offered by the DSP. The result is a speaker that honestly seems to have no dynamic compression whatsoever, has accurate timber, and portrays a very realistic soundstage.
[A lot in common with Duke's designs, incidentally, which also get around the power response problem by coupling a woofer to a similarly-sized waveguide. Duke, if I'm screwing that up please correct me!]
There is no such thing as a perfect speaker, and there are probably better speakers in certain ways, but these things did drop my jaw at RMAF last year and yes, I did finally order a pair.