Richard and Frogman thanks for the comments.
BT in the damping trough manual
I am firmly in the camp of regardless what your vinyl playback system is - it is but a slave to the actual record.
I am also a hobbyist and not a manufacturer, dealer, distributor of analog products and or services.
imo - those that set the standards for records many years ago - never imagined $5000 cartridges, $5000 tonearms and $30,000 tables of today. If they did they would have come up with better standards for the records.
Frogman - as far as tone controls go I agree 100 per cent. We know when they make a record they boost the highs to drown out the cutter noise. And reduce the lows so the grooves are smaller (to fit 20 mins of music) and to keep the stylus from flying out of the groove when we play a record. We then use our cartridge and equalizer (also called a preamp/phono stage) to re-equalize levels to where we can hear it all. So to those audiophile purists that balk at equalizers - your phono stage just happens to be one. If you play vinyl you use one.
To Frogman and others possibly suffering from Tryptophan may I recommend some music.
In digital form now, originated from an analog master tape.
The sampler tracks are not downloadable (yet) but can be enjoyed with either headphones hooked to your laptop or a line feed from laptop's headphone jack going to your preamp.
http://ultraanaloguerecordings.com/wpsite/sample-tracks/
I am not affiliated with the site but am a customer of their tapes.
Cheers
BT in the damping trough manual
You can see visually small ripples on the surface of an LP as it is turning. These continuously excite the tonearm resonance.
I am firmly in the camp of regardless what your vinyl playback system is - it is but a slave to the actual record.
I am also a hobbyist and not a manufacturer, dealer, distributor of analog products and or services.
imo - those that set the standards for records many years ago - never imagined $5000 cartridges, $5000 tonearms and $30,000 tables of today. If they did they would have come up with better standards for the records.
Frogman - as far as tone controls go I agree 100 per cent. We know when they make a record they boost the highs to drown out the cutter noise. And reduce the lows so the grooves are smaller (to fit 20 mins of music) and to keep the stylus from flying out of the groove when we play a record. We then use our cartridge and equalizer (also called a preamp/phono stage) to re-equalize levels to where we can hear it all. So to those audiophile purists that balk at equalizers - your phono stage just happens to be one. If you play vinyl you use one.
possibly the result of too much L-tryptophan :-)
To Frogman and others possibly suffering from Tryptophan may I recommend some music.
In digital form now, originated from an analog master tape.
The sampler tracks are not downloadable (yet) but can be enjoyed with either headphones hooked to your laptop or a line feed from laptop's headphone jack going to your preamp.
http://ultraanaloguerecordings.com/wpsite/sample-tracks/
I am not affiliated with the site but am a customer of their tapes.
Cheers