EMT 927 vs. Micro Seiki 5000 or 8000 - different?

At the moment I am moving 1000kms to my new home in western France...otherwise you would be welcome to visit. Intuition tells me that you live within driving distance.

I have owned almost every large Japanese highend turntable, supplied 5 Technics mk3's for famous USA project/products...lol...and had a few nice EMT machines.

I am currently planning a 5 way architectural horn system using Audio Note compression drivers, so this will be a good test for allcomers. I have around 2/3 of the components.

The MK3 is a good turntable but the hype surrounding it has grown exponentially over the last 3 years. The prices paid now are very high, although they do reflect an ongoing move away from more risky audio assets (like gold and silver)! :) Perhaps they also reflect the relatively mediocre performance of more modern equipment...

Depending on rarity I certainly would not pay over the odds for a 927...I think you have my private email.

Bourse.

Hi Bourse,
Yes we are meeting here...going from east to west! How are the French lessons going? May need to learn German myself as all this hammertone stuff is well documented! Need to hear the 5 way YL/AN horned system....
Take care

your intuition is pretty good Bourse. We are not so far away in Europe. Currently I am exploring remote islands in the South China Sea. When I am back and did survive I will check my e-mail lists.

So we are both building up horn systems, I decided to go for TAD Berryllium drivers. A very well known German technology advisor supports me in this challenge to match better with my nearly completly tube based system.

I guess 1000 km west means at the sea side? not a bad location at all.

The EMT 927 is very similar to other professional 16" broadcast turntables- large platter, large powerful motor, large bearing, idler drive.

The hype around the 927 is the typical hype around EMT. I own an EMT 950 BBC Widebody, by the way, along with most of the other decks discussed in this thread.

The people jumping onto the 927 bandwagon have no experience with the big Fairchilds, Gates, Rek O Kut's, Commonwealth and other more obscure 16" broadcast tables, and so their enthusiasm may be excused, but there is nothing very mysterious about the performance of these decks compared to belt drive.

The downside of the EMT 927 is pretty steep, though. The price is ridiculous, but worse, you have to use the poor EMT 997 arm, or the earlier Ortofon. Because the arm must be mounted to the chassis of the 997, your flexibility is gone. And, as another poster has said, you just spent the equivalent of a nice new family car on something that really just earns you bragging rights on forums like this one.

The EMT phonostage is not a contender, either.

Jonathan

Jonathan, I thought so too before I went into this experience. I also could not imagine that the old Studio idlers and these old Ortofon tonarms may be able to produce more than a very poor vintage sound.

you need listening to a R 80 or 927 which has been revised by a real EMT expert. The inner tonearm litz needs to be cleaned carefully, the contacts should be soldered newly, the pins need to be cleaned and the wire is to be soldered directly - without connectors in the tonearm socket - to the external cinch terminal or to the phono stage. This is only about the tonearm.

I would not compare a fully revised 927 with a 950. You are right the price is pretty high but we should keep in mind that there is no differerence to the cost for the Studios in the 60ies and 70ies. The value is still the same. Of which modern turntable you can say this?