Frankly, I'm surprised that Mr. Wolf would say this.
For a speaker to be 'truly' phase correct, time function, being 'distance' in this context, would have to be correct also.
Time alignment, in the loudspeaker context, places the drivers in a position so that the sound from each, arrives, (without room interaction, which is impossible to do)at the same time. This preserves the 'unit body' of a multi-frequency/several octave tone, being played by multiple drivers. Preserving phase relationships is universally thought of as being a first order/6db per octave slope.
Wilson, by having adjustable enclosures, one's which allow for adjustments for the listeners height/distance, are giving a more accurate arrival signature.
If approximated time alignment, (think THIEL dating back to the late '70's early '80's) aligning the drivers so that the sound from each driver arrives at the listener at the same time (allowing for the concave/convex nature of the drivers)works, then EXACTING alignment would by default works BETTER.
THIEL used a minimum distance of 8' for their time alignment, without regard to the height of the listener, instead, approximating a 40"(?) height.
Many years ago, I was aligning a loudspeakers drivers for a listening session with my old friend Jim Thiel...I was being anal and Jim, more interested in getting to dinner said, "That's close enough Larry." Knowing how OCD Jim was about all of his work, I gently said, "You know, if approximate time alignment works, perfect time alignment works better," He just smiled and shook his head in agreement. Dinner would wait.
I'm thinking that Mr. Wolf is giving up some ground to Wilson on this by not making the necessary adjustments to his crossovers. Surprising given the incredible 'technical bent' that seems to be an important aspect of his designs.
Best,
Larry
For a speaker to be 'truly' phase correct, time function, being 'distance' in this context, would have to be correct also.
Time alignment, in the loudspeaker context, places the drivers in a position so that the sound from each, arrives, (without room interaction, which is impossible to do)at the same time. This preserves the 'unit body' of a multi-frequency/several octave tone, being played by multiple drivers. Preserving phase relationships is universally thought of as being a first order/6db per octave slope.
Wilson, by having adjustable enclosures, one's which allow for adjustments for the listeners height/distance, are giving a more accurate arrival signature.
If approximated time alignment, (think THIEL dating back to the late '70's early '80's) aligning the drivers so that the sound from each driver arrives at the listener at the same time (allowing for the concave/convex nature of the drivers)works, then EXACTING alignment would by default works BETTER.
THIEL used a minimum distance of 8' for their time alignment, without regard to the height of the listener, instead, approximating a 40"(?) height.
Many years ago, I was aligning a loudspeakers drivers for a listening session with my old friend Jim Thiel...I was being anal and Jim, more interested in getting to dinner said, "That's close enough Larry." Knowing how OCD Jim was about all of his work, I gently said, "You know, if approximate time alignment works, perfect time alignment works better," He just smiled and shook his head in agreement. Dinner would wait.
I'm thinking that Mr. Wolf is giving up some ground to Wilson on this by not making the necessary adjustments to his crossovers. Surprising given the incredible 'technical bent' that seems to be an important aspect of his designs.
Best,
Larry