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For tube sound, which is more important: preamp or power amp?

I have always loved the “tube sound” - warmth, midrange, soundstage. Through the years (since about 1975), I have owned many tube and solid state amps and preamps, in various combinations. Presently, I have a tube amp and a solid state preamp. But like most of you, I am thinking of making changes, again.  Not to cloud the discussion, the specific brands are not important.  I also listen to acoustic music, females vocals, love mini monitors, EL34s, NOS tubes, and don’t care that much about bass.  So you can see that my taste fits the tube sound very well. But I have had systems that are too warm, not enough dynamics or details, and fat in the low end, too.

okay, now to the discussion.  To produce the tube sound, which is more important: the preamp or the power amp?  Let’s talk in general, and (if possible? May not be) not tied to one specific piece/brand/model of equipment.  I know there are exceptions to any general rule.  Not sure if it makes a difference to your comments, but I have no phono and am running line stage only.

As an attempt to prevent the conversation as going in a big tangent, let’s assume equality of price/quality. i.e. not comparing a $10k power amps contribution to a system to that of a $1k preamp.  Let’s also assume that the amp (tube or solid state) can drive the speakers just fine, such that compatibility does not limit the decision. And ignore mono blocks versus stereo amp differences.  

two follow ons: I have  the perception that preamps give you more bang for the buck - meaning that it takes less money to get a great tube preamp compared to a great tube amp.  Agree/disagree? And second, I have never owned a tube dac or CD player, and will assume that tubes in either of these is less critical than in a preamp or power amp. Agree/disagree?

i am interested in your thoughts.

Bill
meiatflask
mulveling's avatar
mulveling
1,855 posts
 
Either combination can give you a great dose of "tube sound". Of course power tubes need more maintenance, and the NOS flavors of large power tubes quickly approach $$$$/unobtanium territory. BUT there are really excellent Russian power tubes made today (KT120, KT150), and tube amps will often have at least a few crucial small-signal tube slots for you to get your NOS on.

On the preamp side, higher gain tube preamps are more likely to cause noise issues your system (i.e. tube rush and/or microphonics excited during playback) than SS preamps or tube power amps. That bears consideration. Also, with a tube preamp feeding into a SS power amp it’s a bit more common to experience an impedance mismatch (i.e. high output impedance into a low input impedance, which throws away gain and caused significant FR aberrations), than with SS pre into tube power. Research potential pairings before proceeding, just as you have to research any power amp’s ability to drive your speakers.
dc_bruce's avatar
dc_bruce
11 posts
 
What do you mean by "tube sound?"  I think tube preamps are great because small signal tubes don't "age" much, so they're sound does not change.  I think, done right, tube preamps provide a greater sense of "articulation" or "naturalness" (i.e. absence of glare) to the sound . . . and I'm not talking 12ax7 tube euphony.  Tube power amps, with output transformers, inevitably interact with the speaker in ways that are not entirely predictable, changing the speaker's frequency response.  The combination could be synergistic, or not . . .  And, it's hard to get accurate bass from a tube amp, unless you're driving a fairly high efficiency loudspeaker.   
In any event, tube power amps that generate much over 75 watts per channel have lots of tubes, generate lots of heat and suck down lots of power.  And, in my experience, even in a simple amp like a Dyna Stereo 70, the sound quality changes as the output tubes age.  More elaborate and quality amps (Audio Research) have been known to self destruct in expensive ways when an output tube fails.

Obviously, there are, at a price, tube power amps that do all things very well, but these tend to be both high maintenance and seriously expensive in the first instance.
axememan's avatar
axememan
279 posts
 
On the lower end of a budget setup[still expensive to me lol]I have the Freya going into Emotiva XPA100’s and you can hear a difference between the "Hat Trick" of outputs.The tube output also imparts some gain increase.Where it really sounds good tho is the tube out of the Freya into the Primaluna Prologue 5 [has KT88’s in it now].So i would say the AMP makes the most difference for the Toobiness.
Wolf,
I also love the Tube Amp guitar heads and combos.My current fave is a DR Z RT 66 into a DR Z 1x12 Convertible cab loaded with a Scumback Speaker.I do not play out,just at home for fun,and I grab up low wattage Tube Amps when I can.BlackStar,BlackHearts[in the 1,5 and 15 watt sizes],Egnators[Rebel & Tweaker],Jet City,Epiphone,VHT Special 6 and a few others.Heck,they don’t take up much space.I actually have 3 of the Blackheart 1 watt ’Killer Ants’ with 2 of them having the Mojo Mod..ie Tone Control and Line Out.Solid State wise I recently picked up a Orange Micro Terror thats kinda neat
wolf_garcia
6,683 posts
 
I had an early-ish Egnator for a while and it was really interesting in that you could pan between the 6v6s and EL84s…cool. I don't necessarily collect guitar amps but have owned, borrowed, and played through a lot of different tube amps over decades and have pretty much enjoyed 'em all. I started in the 60s with my cousins white Bandmaster (a friggin' great amp that I eventually owned) and a Magnatone which I didn't initially appreciate enough, and later used early 70s Twins with JBLs that were heavy and loud although the addition of the master volume knob made them work for me. Tubuler.
axememan's avatar
axememan
279 posts
 
I like the Mojo around the Tube Amps and Heads.I have an old 1964 or 65 Kalamazoo Model 1 that sounds really kool for  harp and I bought a Green Bullet mic last year to mess around with.
The amps I got rid of to finance my foray into better Stereo and HT stuff were pretty kool.
Marshall JCM600 & 4X10 Cab Half Stack,
Mesa Boogie 50 Cal Plus Combo and an
 Ampeg Jet2 Reissue Combo that was the personal Amp of the Owner of St Louis Music.
I have flipped a few Amps and Guitars in the last several Years.Heck,I mostly play acoustic.I am more of a Bonfire Troubadour..a 'G','C' & 'D' Blackbelt
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