Dougs point about the anti skate been applied to one end of the cantilever and the skating force being applied to the other is quite correct. However IF one has checked that the cantilever is straight, and not being pulled in one direction or the other whilst playing ( assuming one can find a record that is not eccentric ) then this argument has less weight. In terms of the physics then the effective mass and cartridge compliance come into the calculation. The issue here is that not many cartridge manufacturers specify the lateral compliance, and in my experience some low compliance cartridges are quite compliant in the horizontal plane and vice versa.
Furthermore if a cantilever is leaning one way or the other, then clearly the magnets or coils could be sitting in a position where there is more non linearity within the electrical/magnetic fields.
Many arms have inbuilt anti skate anyway. In the case of the VPI's the twisted loop of tonearm wire is far too stiff in my view and exerts both an anti skate and a rotating force affecting azimuth. In other arms the tonearm wire is often impeding free movement in the bearings as John pointed out.
Antiskate systems themselves can be problematical - spring, hanging weight, elastomer thread, weighted lever - they all have their pros and cons. It is a horses for courses scenario where you end up, but the process for determining the optimum ( or "none" ) anti skate should be consistent.
As an aside, whilst having a hiatus from audio, I used a Shure V15Vxmr ( with stabiliser brush removed ) for about 10 years on an ET2 linear tracker ( high horizontal mass, no skating forces ). I had added a little magnetic damping to the bearing tube motion using the eddy fields generated from the motion of the tube across the magnets. After 10 years the original cantilever was still dead straight and the cartage was sold for more than I originally paid.
Furthermore if a cantilever is leaning one way or the other, then clearly the magnets or coils could be sitting in a position where there is more non linearity within the electrical/magnetic fields.
Many arms have inbuilt anti skate anyway. In the case of the VPI's the twisted loop of tonearm wire is far too stiff in my view and exerts both an anti skate and a rotating force affecting azimuth. In other arms the tonearm wire is often impeding free movement in the bearings as John pointed out.
Antiskate systems themselves can be problematical - spring, hanging weight, elastomer thread, weighted lever - they all have their pros and cons. It is a horses for courses scenario where you end up, but the process for determining the optimum ( or "none" ) anti skate should be consistent.
As an aside, whilst having a hiatus from audio, I used a Shure V15Vxmr ( with stabiliser brush removed ) for about 10 years on an ET2 linear tracker ( high horizontal mass, no skating forces ). I had added a little magnetic damping to the bearing tube motion using the eddy fields generated from the motion of the tube across the magnets. After 10 years the original cantilever was still dead straight and the cartage was sold for more than I originally paid.