Just to elaborate on my prior post.
I too love the audiophile world, as opposed to the Wallstreet Journal reviewer mentioned, and don't think there is a more worthy cause to push for than listening to great music through a great system (that is, besides eradicating famine or child abuse in the world). And we audiophile customers the world over want/need true independent reviewers that give us an indication of product performance of various brands.
I do dislike the often invisible politics behind the equipment review process, manufacturers and the intermingling of commercial interests that happens all too often, and I think it taints the review process. How can you as a reviewer when you are comparing two turntables, state your independent opinion when you in fact obtained an "accommodating price" for one of them. You can't. In fact by paying (or paying off in this case) an "accommodating price" you are in fact saying that you would not have purchased it at the customary price. Hence not buying into its value proposition. So if your not paying a company the normal margin it's asking for, you have to pay with something else. Something like your posts above.
This post is not to take away the tremendous contributions that Mr Fremer has made to the audiophile review business in the past and in the future. There can be no doubt about that. But in the case of the Monaco tt Stereophile review and the content of this ensuing thread is evidence of the apparent controversy and indicative of much that goes on in the equipment review world.
I too love the audiophile world, as opposed to the Wallstreet Journal reviewer mentioned, and don't think there is a more worthy cause to push for than listening to great music through a great system (that is, besides eradicating famine or child abuse in the world). And we audiophile customers the world over want/need true independent reviewers that give us an indication of product performance of various brands.
I do dislike the often invisible politics behind the equipment review process, manufacturers and the intermingling of commercial interests that happens all too often, and I think it taints the review process. How can you as a reviewer when you are comparing two turntables, state your independent opinion when you in fact obtained an "accommodating price" for one of them. You can't. In fact by paying (or paying off in this case) an "accommodating price" you are in fact saying that you would not have purchased it at the customary price. Hence not buying into its value proposition. So if your not paying a company the normal margin it's asking for, you have to pay with something else. Something like your posts above.
This post is not to take away the tremendous contributions that Mr Fremer has made to the audiophile review business in the past and in the future. There can be no doubt about that. But in the case of the Monaco tt Stereophile review and the content of this ensuing thread is evidence of the apparent controversy and indicative of much that goes on in the equipment review world.