HDCD Decoding ?


Recently, I have noticed that the specifications for CD players sometimes mention that they are compatible with HDCD CDs. I thought that HDCD died about ten years ago. But HDCD CDs have always been playable on any CD players; albeit not all CD players would decode the HDCD formatting because that required a special digital filter from Pacific Microsonics.

Several years ago, when HDCD first appeared, Pacific Microsonics required that anyone licensed to use their HDCD filter had to install automatic attenuation in their players for ALL non-HDCD discs. This was not necessarily a good thing.

When a 21st century CD player will read HDCD discs, it may or may not perform the automatic change in volume as a result. The net impact in older HDCD players was that all normal (non-HDCD) discs were attenuated. I own a few hundred CDs and only about 6 of them are HDCD. I expect that now in the year 2013, this is no longer a problem regarding the Pacific Microsonics HDCD filter. My guess is that current players are not using a Pacific Microsonics filter.

Perhaps "compatible with" is simply a reminder that the CD player will play the older HDCDs as regular CDs?

What says the group mind?
poetcatullus
For those who are going to PC audio, there is software, such as dBpoweramp, that will do the 16 bit to 20 bit conversion for HDCDs. It then pads it with zeros to 24 bits. You just check a box when you do the rip.
So, how are we to discover what HDCD means and how it is implemented in a 21st century CD player? I have emailed one manufacturer about this but have not heard back from them yet. They may need to consult one of their older engineers who was on the job when this all started. Was that sometime in the early 1990s?
Interesting post Elizabeth. I use an EAD 7000Mk3 DAC which decodes HDCD. I think it still competes well with the newer DAC's of today. Recently did an AB with the new Benchmark DAC...EAD was FAR more analog sounding. When I play any of the Ref Recordings HDCD's on the EAD, it's still up there with some of the best I have heard.
The biggest problem with HDCD enabled DAC's and CDP's is that the the PM chips are not that great sonically (sorry Poetcatullus) so much so that Mark Levinson (the brand) got special permission from PM to manufacture their own HDCD chips to incorporate in their players.

One non-PM solution for great sound from both Redbook and HDCD disks is (are) Wadia equipment. The reason is that Wadia's D to A processing is based on software decoding rather than 'brick-wall' filter chips. Therefore, all the information on a HDCD disk is read and fully processed (doesn't require the special PM chip) and HDCD's sound fantastic on Wadia equipment. Of course you don't get the little 'HDCD' indicator light on the front panel, but you can sure hear the difference!

So I was interested to hear about the 'attenuation' issue, because on my Wadia equipment, HDCD's sound louder if anything -- although that might just be a subjective response on my part to the improved quality of HDCD disks. I don't go out of my way to collect them, but I'm always thrilled when an artist/performer I like chooses to release their music on HDCD's. And some have been doing it for a long time (Chris Isaak comes to mind.) I know this is a bit off topic, but speaking of artists who seek to use interesting or sophisticated technology, I just discovered that quite a few of Lou Reed's earlier albums were recorded binaurally! The joke was definitely on me, because I've had those albums since they were released, and it never dawned on me until I was searching eBay for binaural recordings and they all came up!~
.
Yes indeed, Nsgarch!

I agree that the original PM chips were not necessarily all that wonderful after all. And I fully recognise that in the price/quality category of Levinson and Wadia, HDCD can be implemented without compromise, either to the HDCD discs or regular CDs.

This takes us back to the original issue. If I see a current mid-priced CD player that includes HDCD decoding and an HDCD indicator light, without knowing what process the manufaturer is using, how can I know that said player is not going to compromise my regular CDs (either intentionally or by default) with their particular HDCD implementation. Is the old attenuation practice from the 1990s even used today at all?