Hear sibilance on Krall, Famous Blue, D. Fagen?


Hi, Folks,
I have made some changes to my system that I am overall very happy with, but I'm noticing some "sibilance" or harshness to certain voices and I'm wondering if I'm simply hearing some things I hadn't heard before because my system's more resolving, or if there's a synergy problem that has given me a tipped up "presence region." So I want to know if you hear these things too:

1) Jennifer Warnes on Famous Blue Raincoat, first track, "First We Take Manhattan:" I'm hearing an edge to her vocals... sounds like some sort of processing.

2) Morph The Cat: Title track; Donald's massed voices on the verses. How do those (highly processed) vocals sound to you? Breathy? Harsh?

3) Diana Krall, "Let's Face The Music and Dance" from "When I Look In Your Eyes." Very closely miked, but do you hear harshness in some sibilant consonants?

Trying to figure out if this is the recording or my system! Thanks in advance!
rebbi
Bill_k:
Much more on the digital side; not really noticing it very much on vinyl.

Zd542:
No metal dome tweeters anywhere near my rig! ;-)
Please don't take any offense since that is not my intention, but I'm afraid that you're hearing the limitations of your digital source components. I have tried for many years to eliminate such sounds from digital playback and unfortunately it's very hard and expensive to achieve. The distortions you describe are some of the typical shortcomings experienced when you compare analog to digital on high quality playback systems. I have spent more than I'd like to admit improving my digital sources and it still does not match the purity of high frequency reproduction (particularly a lack of sibilance) that I get from good LPs. I base this on several decades of experience in high end audio.
Rebbi,

I have the Jennifer Warnes "Famous Blue Raincoat" and Diana Krall,"When I Look In Your Eyes" CDs. Neither of the two tracks you mentioned have sibilance problems when played on my system.

I found this doing a search on the Web.

Music Hall cd25.2 CD player; power cord

Folks,

As the owner of a Music Hall cd25.2 CD player, I read with interest Sam Tellig's review in the April, 2006 issue of Stereophile and Sallie Reynolds's review in the August, 2006 issue of The Absolute Sound.

In Ms. Reynold's review, the following sentence appears: "Then, on a tip from Roy Hall at Music Hall, I changed the power cord in the CD player to the Acoustic Zen Tsunami, and it instantly rewarded me with a wall of sound very like its name." In the Manufacturer Comments section of the same issue of The Absolute Sound, there is a note from Roy Hall in which he comments on both the Music Hall a25.2 integrated ampfilier and the cd 25.2 CD player as follows: "The power cords supplied with the units are not good enough. This will change in the future. If you really want to improve both of these units in all respects buy a good, heavy-guage power cord (preferably shielded). I don't think you need to buy an expensive one. Remember the golden rule of wire--'The more it costs, the worse it sounds.'"

Assuming that I, like Sallie, might hear an improvement with a new power cord for my cd25.2, and assuming that Roy Hall's advice about his own product is worthy of consideration (which I assume is the case), I'm wondering if you folks have a recommendation for a power cord that meets his criteria: (a) good, (b) heavy-guage, (c) shielded, (d) not expensive. It is hard for me to believe that given the mid-fi nature of my other equipment (Outlaw Audio RR2150 receiver, Monitor Audio Silver RS6 loudspeakers, etc.), I would want to spend more than, say, $100 on such a cord. (By the way, Ms. Reynolds notes that the Acoustic Zen Tsunami power cords sells for $350, which is sure to cause DUP to refill the cartridge in his poison pen.)

So...recommendations?
Stereophile

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Listening

Early on I threw Jesse Cook’s Gravity [Narada 63037] at the CD25.2, listening closely to his solo run at the climax of "Mario Takes a Walk." I was struck by a clinical vibe coming off Cook’s acoustic guitar. He sounded a little thin, even cold. At the highest registers I thought I’d caught hints of sibilance. Was this coming from the recording itself or CD player?
Soundstage

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When I first read your posted message I was thinking possibly the power cord and or the wall receptacle.
Yes, the receptacle can help control sibilance.
I would try a different power cord first. Then if that helps try a Hubbell Extra Heavy Duty Industrial Series HBL5262 (15 amp) or HBL5362 (20 amp) duplex receptacle.
This receptacle has non plated brass contacts and a non plated brass supporting back strap.
Hubbell PDF. See page 6.

For the duplex cover plate just a cheapo non breakable nylon plate. Leviton or Pass & Seymour.
.
Jim