My experience is that recordings which are compressed sounding, often classical and jazz cheap multi-disc CD compilations will be more annoying on high end gear. They sound like MP3s. I listen to a lot of 78s, including acoustical recordings. They have natural dynamics and keep sounding more colorful and detailed as my equipment became more resolving/revealing. Otherwise, any decently recorded/mastered recording sounds better on higher end equipment or great vintage tube gear (like a Mac 30, 225 or 240 amp). I suppose that Guttenberg was referring to music I generally don’t listen to, recordings from 1995 (retro, punk, rock, hip hop, rap, etc). E.g. Steely Dan and Yello recordings keep sounding better and better with higher end gear. They start out as meticulously well recorded albums. @millercarbon-I am in complete agreement to your last comment. Each recording is different (labels can have a "house" sound due to engineering, recording venue, miking, etc) and I am sorry I don't have sufficient time to listen more.
High Performance Audio - The End?
Steve Guttenberg recently posted on his audiophiliac channel what might be an iconoclastic video.
Steve attempts to crystallise the somewhat nebulous feeling that climbing the ladder to the high-end might be a counter productive endeavour.
This will be seen in many high- end quarters as heretical talk, possibly even blasphemous.
Steve might even risk bring excommunicated. However, there can be no denying that the vast quantity of popular music that we listen to is not particularly well recorded.
Steve's point, and it's one I've seen mentioned many times previously at shows and demos, is that better more revealing systems will often only serve to make most recordings sound worse.
There is no doubt that this does happen, but the exact point will depend upon the listeners preference. Let's say for example that it might happen a lot earlier for fans of punk, rap, techno and pop.
Does this call into question almost everything we are trying to ultimately attain?
Could this be audio's equivalent of Martin Luther's 1517 posting of The Ninety-Five theses at Wittenberg?
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Can your Audio System be too Transparent?
Steve Guttenberg 19.08.20
https://youtu.be/6-V5Z6vHEbA
Steve attempts to crystallise the somewhat nebulous feeling that climbing the ladder to the high-end might be a counter productive endeavour.
This will be seen in many high- end quarters as heretical talk, possibly even blasphemous.
Steve might even risk bring excommunicated. However, there can be no denying that the vast quantity of popular music that we listen to is not particularly well recorded.
Steve's point, and it's one I've seen mentioned many times previously at shows and demos, is that better more revealing systems will often only serve to make most recordings sound worse.
There is no doubt that this does happen, but the exact point will depend upon the listeners preference. Let's say for example that it might happen a lot earlier for fans of punk, rap, techno and pop.
Does this call into question almost everything we are trying to ultimately attain?
Could this be audio's equivalent of Martin Luther's 1517 posting of The Ninety-Five theses at Wittenberg?
-----
Can your Audio System be too Transparent?
Steve Guttenberg 19.08.20
https://youtu.be/6-V5Z6vHEbA
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- 205 posts total
- 205 posts total