I agree that only a limited number of switches are needed, if the test conditions are good. What are good test conditions?: A treated room with good acoustics, high quality electronics, well-recorded music, the ability to do rapid switching (having a second person to manipulate the hardware helps), and familiarity with the musical selections. That's all you need to eliminate subjectivity and get to the truth.
In defense of ABX testing
We Audiophiles need to get ourselves out of the stoneage, reject mythology, and say goodbye to superstition. Especially the reviewers, who do us a disservice by endlessly writing articles claiming the latest tweak or gadget revolutionized the sound of their system. Likewise, any reviewer who claims that ABX testing is not applicable to high end audio needs to find a new career path. Like anything, there is a right way and many wrong ways. Hail Science!
Here's an interesting thread on the hydrogenaudio website:
http://www.hydrogenaud.io/forums/index.php?showtopic=108062
This caught my eye in particular:
"The problem with sighted evaluations is very visible in consumer high end audio, where all sorts of very poorly trained listeners claim that they have heard differences that, in technical terms are impossibly small or non existent.
The corresponding problem is that blind tests deal with this problem of false positives very effectively, but can easily produce false negatives."
Here's an interesting thread on the hydrogenaudio website:
http://www.hydrogenaud.io/forums/index.php?showtopic=108062
This caught my eye in particular:
"The problem with sighted evaluations is very visible in consumer high end audio, where all sorts of very poorly trained listeners claim that they have heard differences that, in technical terms are impossibly small or non existent.
The corresponding problem is that blind tests deal with this problem of false positives very effectively, but can easily produce false negatives."
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- 56 posts total
- 56 posts total