Interconnect for sweet, silky violin sound

Though at times there are other "issues" that arise with some cables that bump the emphasis just a bit from the midrange downward, in many cases, that bump adds a more spacious, slightly dark emphasis that I find satisfying. It tends to give a mid/lower mid/upper bass emphasis that for me imparts an easier, more relaxing and more musical presentation when I hear violins, violas and cellos. I like too what is does for the double basses. This may not all be what some consider neutral or totally accurate, but that doesn't really matter to me. Many of us accept the reality that everything has colorations anyway---concert halls,electronics equipment at the recording site and in the living room and showroom, and even open spaces outside of rooms and halls. Humidity, wind, air temperature all having impact on the sound. And of course there's the influence of what different ears on different heads hear. I really don't care to re-iterate what components I have, since I'm not sure by knowing that others might necessarily better be able to determine what might suit my taste. It would be a rarity indeed if anyone had the same exact constellation of components I do. I just wanted to get a few recommendations "off the cuff" from some of you, and from those who have responded so far,my sincere thanks .

Yes, I think you should try Morrow ma3 (Eichman silver bullet). I'm trying right now with my Mac. It's great IC, I think much better than MIT AVT1.

also, you have 60 day audition period, simply you return it.

Thanks

I'm happy that you've allowed your unique experience to act as guide. It's a nice place to be, and refreshing to hear, especially as this hobby is by no means a science.

Don't forget. The sweet spot is always at the peak of an equilateral triangle, and at a distance equal to 83% of the distance between speakers as measured between immediately adjacent inside borders of your speaker enclosures.

That's a joke...really...jeez. ;-)

Hi Neutron...Kind thanks for your nice comments. I'm certainly with you on the equilateral triangle arrangement. Have stuck with that for a very long time. It has always seemed to work optimally for me. Haven't checked up on the 83% matter, but I have experimented with distances from my speakers(Dunlavy SC-4s)and have the chair where I feel I'm getting my best possible sound projection, imaging/soundstaging and spectral balance. Here's to good listening for the both of us---and, of course,others too.

And that's no joke...