Is the Teres a


I have just read Art Dudley's review of the Quattro Supreme (Stereophile, October issue), a table spawned from the basic Teres design. (The friendship, then break-up of the original Teres group is also mentioned as a side story.)

I have no experience with the Teres but the Supreme - a design very similar to the Teres - priced at $6,000 got a "B" rating (actually meaningless, but someone's got to give it some rating because we are a rating-mad people!).

Why doesn't Chris Brady send Art a table so that he could at least give the Teres a good review and exposure?

Art's reference, the LP12, by the way, beat the Supreme in one area: PRaT.

Cheers,
George
ngeorge
Finally, a shoot-out!

Even if the Basis and Clearaudio do not participate, a Quattro Supreme vs. a Teres 340 - a good, legitimate fight.

Okay, the contest has been set. Let the preparations begin... and may the best table reign!

(Excited) George!
And please be careful: Your (Chris and Thom) tables are heavy. :)

(Already panting) George
And a Lenco/Home Depot, also a very impressive turntable ;-)

I have to say that this focus on the importance of PRaT is music to my "ears"! I would have to side with 4yanx on the issue of whether PRaT is colouration or not: the PRaT is inherent in the music, obviously, as timing is the heart of the music, as any musician and all audiophiles should know. The piece of equipment which filters PRaT out of the recording is the coloured piece. Since there are so many variables from turntable design to turntable design - belt or thread or idler wheel or direct-drive; suspended vs unsuspended; high-mass or low-mass; acrylic or metal or wood; damped or undamped; skeletal or massive; high-torque or low-torque; coupled or decoupled - humans and their ears are still the best way to judge the presence or absence of PRaT. Of course, maintaining as perfect-as-possible speed stability in the face of stylus drag (the Great Enemy) is the way to preserve the PRaT of the original performance.

If it ain't got that swing, it don't mean a thing...
Cheers,
Jean
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PRaT ? How does one judge PRaT?
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Wouldn't you have to be at the live performance of the recording to be able to discern and decide whether one's system was providing the correct PRaT for that performance and recording?
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I'm always in favor of hearing a "shootout" of some great tables.

I still love my Teres 245.
I know it isn't "the best", even in the Teres lineup alone, but it sounds great to me, and I could afford it.

I think that achieving a sound that you enjoy is the important thing, and not chasing your tail for "the best", which is very subjective anyway.

It will be alot of fun doing the shootout, though. Maybe I can get out there and hear them for myself.