Is the Townshend Rock 7 "the" giant killer?

If you have never heard it, it is pretty irresponsible to post "Its not as good as the WTL Amedeus or Versalex." That sure suggests that you have actually heard the tables in question. Shame on you.

Roscoeiii:
I saw your post on Audiocircle forum - can you tell us what was your experience regarding sound difference between Moerch and Audiomods tonearms on Rock 7 please?
Thanks

Roscoeiii,
I've owned the Rock 7 with all the upgrades available (Excalibur 3 Arm, Adjustible mounting plate, Merlin 3 Motor and regulated Power Supply) for over a year now and I simply cannot get enough of it.

While researching, I read all the reviews, went to audio shows to hear it and its price point competitors, including the Amadeus, although no dealer I know has both the The Rock as well as the Well Tempered to A/B. But what I did hear was, at the price, astounding. I am amazed daily as I go through my collection of reference LPs and hear what this TT can extract and deliver from the grooves. The bottom end, well, I think I would have to spend five times this much to reproduce such tight, yet effortless bass... But it's near impossible to notice just one part of the sonic picture, since all the sound hangs together so naturally that within minutes you forget everything, close your eyes, and shake your head in disbelief. I can't help smiling when I listen.

I've been an Audiophile for decades and I've never stopped spinning vinyl as my main source. I believe that the more TTs a person has heard, the more they'll be impressed. Choosing a TT is not a perfect process. We rarely if ever have opportunity to A/B our final candidates in the same system. I took all I had heard and read, combined it with a leap of faith, and ordered one.

Nothing has ever come close. Jaws have hit the floor, people have shouted expletives at the speakers, and most just get lost in the music.

Is this TT a Giant Killer? Well, to my ears, my system as a whole, with The Rock as source, beats systems I've auditioned at multiples of what I've spent.

It's 3:00AM and I'm listening, for the first time on my upgraded system, to Café Blue by Patricia Barber, and I'm still in disbelief at what I'm hearing as I type.

Apologies for ranting on... If anyone takes a chance on this TT and ends up not concurring, they can list it here, it'll sell in minutes.

Laza,

I just saw your post re: Moerch vs. Audiomods.

I didn't get a chance to do a lot of A/Bing the Moerch arms and the Audiomods. I do think, outside of the bass, that the big jump in sound quality was from the stock Rega 301 to the Audiomods. Audiomods gave improvement in the treble in particular. And besides that there was an increase in detail over the stock Rega. The 301 was outclassed by the Rock and was a limiting factor. But I would not say that was the case on the Audiomods.

The Moerch arms do improve on the Audiomods in ways you would expect from much more expensive arms. Again, detail is improved, and the Moerch arms, especially the DP-8, really bring out bass detail and impact on an LP. In a way I think most would find surprising for analog playback. From Audiomods to Moerch, you are entering another class of tonearms. But with the Audiomods you are entering the realm of tonearms well-suited to the table (not holding the table back).

Alonski,

Nice to read your impressions. Thanks for taking the time to pass those along.

Yes, I'd also guess that if someone doesn't like the Rock, it would sell pretty quickly and easily. I bought the only Rock 7 I had ever seen for sale used (from a dealer who got it as a trade-in). I have only seen one for sale used since. Impressive considering all the upgradeitis seen here.