Is this the end of HEA?


http://www.cepro.com/article/is_this_the_end_of_high_performance_audio_at_ces

This last year has made my ears perk up. Honestly I didn't even know the article above had been written until now. What I did know was listeners have been in touch with me about the future of HEA and their future as advanced listeners. It's been nice to see folks getting in touch with me and even nicer that they are doing so because they wish to settle into their final system sound. To say things in their words "it's been an expensive ride" and most of these folks aren't sure they've gotten a fair shake always from the hobby. Many feel they have bank rolled a part of a hobby that hasn't always delivered the goods. Basically instead of telling listeners that this is a variable hobby the "experts" pushed a very expensive game of component Plug & Play onto the discrete audio generation. I remember those days of guilt buying where a dollar amount was used as a representative for quality, when it meant no such thing. I knew first hand this was not the case as designers scrambled to make up-sell products that sounded less musical than the original products that put their name in audio fame. I also could see the HEA decline happening but still was giving the benefit of the doubt to those saying HEA was just fine and growing. Mom and pop stores for the most part have vanished in the US with the exception of a few creative thinkers. New expensive products are being adored but I don't see many actually buying them. Now I've got my eye on T.H.E. Show (Richard's show) and wondering if it's happening or not. Richard and I have talked many times about what will happen to HEA in the US if T.H.E. Show and CES cease doing their thing in Vegas. I wonder what Richard RIP is thinking now sitting in the clouds.

I am very excited to see the next few years come about even though I know some are still buying into the old paradigm that the HEA is the cutting edge with only a volume control to adjust and a fork lift included with every purchase. Going to the CES web, I have my answer for Vegas. Going to T.H.E. Show website I'm still in question. If these two are no more, in terms of HEA, who's next?

Michael Green

128x128michaelgreenaudio
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Let’s see if I can push this conversation in a different direction. I would like to suggest that music artists and their studio engineers could help drive the next generation of (I won’t use the term audiophile) high end system fans. Neil young gave it a go to some extent with Pono. What we need is for today’s pop artists to create their music in a much less compressed version so that if you like what you hear on your earbuds, you can also download the same tracks in higher quality.
I have never been a pop music fan but I was listening to some pop music with my daughter in the car and heard a particular track that was really put together well. I decided to stream it on my home system and was amazed at how terrible it sounded. If it can sound good on a bone stock FM car radio, it ought to sound better on a high end system! How many high end audio component manufacturers visit recording studios and develop relationships with people who actually make the music? Perhaps that’s a bit unrealistic but damn, why can’t those who reproduce the music cozy up to those who make it?
From what I read somewhere, music is often adjusted to what it is expected to be played on. I guess that what you heard in the car was not expected to be played on a higher quality home system.
In other words...

"When we had finished a song, we'd take a drive and listen to it on the car stereo to give us that extra objectivity. When you are working so intensely you can lose that objectivity. And when you're in a studio you're listening to the absolute best reproduction of the sound. But most people won't hear it in that environment. So we'd go for a drive – the car test."

As told by Sharon Robinson about the way she and Leonard Cohen would work.