Glad you added that “other common denominator”. I was about to point that out as a response to your “obvious connection” of ethnicity comment. Putting ethnicity aside, swing is the most important component of both Blues and Jazz and another obvious common ground as you point out. And as your Neil Peart account describes so well, the reason that relative “difficulty“ is not as obvious as it may seem. Sure, from a music theory and “technical” standpoint, Jazz is usually more complicated; but, not always. Take Miles’ “KOB”, most of those modal tunes are actually even simpler harmonically than many Blues tunes. I would bet BB could have played some relatively simple, but very tasty solos over some of those tunes. The tasty part? THAT’S the difficult part. There’s good reason why Jazz players often judge another player’s true mettle based on whether that other player can play the Blues.
Jazz is not Blues and Blues is not Jazz.......
I have been a music fan all my life and listen to classic Jazz and female vocals mostly. I did not see this throughout most of my life, but now some internet sites and more seem to lump Jazz and Blues into the same thought.
B.B. King is great, but he is not Jazz. Paul Desmond is great, but he is not Blues.
Perhaps next Buck Owens will be considered Blues, or Lawrence Welk or let's have Buddy Holly as a Jazz artist?
Trite, trivial and ill informed, it is all the rage in politics, why not music?
B.B. King is great, but he is not Jazz. Paul Desmond is great, but he is not Blues.
Perhaps next Buck Owens will be considered Blues, or Lawrence Welk or let's have Buddy Holly as a Jazz artist?
Trite, trivial and ill informed, it is all the rage in politics, why not music?
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- 99 posts total
- 99 posts total