Bombaywalla, You are right - not many amps quadruples or
even doubles power exactly. I don't even care for the one
that does, since in order for this to happen amp has to have
hefty power supply but also lots of negative feedback.
On the other hand listed power specification is useful only
if you listen to sinewaves. Music demands very little power
on average, since half of the loudness is 10% of the power
and music has gaps. Heavy orchestral pieces might demand
more power but Jazz trio needs very little. Maximum current
is perhaps more important. Power specifications are very
vague. It can be FTC, EIA, CEA or no standard at all. FTC
defines amplifier's power when both channels are driven over
full audio band 20Hz-20kHz for 5 minutes after one hour
preheat at 1/3 of power and meeting listed distortions. EIA
requires test at 1kHz and 1% THD without preheat for one
channel only (not sure how long). CEA test requires 5
minutes at full power at 1kHz without preheat, while other
channel is driven at 1/8 of max power (why 1/8 ???). Most
of class D amps would not even pass FTC test, having very
limited power at high frequencies. The only class D modules
manufacturer I know that specifies full power bandwidth is
PASCAL but it is useless anyway since music demands very
little power at high frequencies, not to mention size of the
tweeters. Most of manufacturers don't even specify what
standard, if any, they use for testing. For instance
Icepower module in my 200W Rowland model 102 is specified at
only 55W FTC power limited to 0-8kHz with explanation
"The power bandwidth is limited due to the output Zobel
network". Continuous module power is listed in
datasheet as only 40W @ 25degC and 25W @ 50degC. Bel Canto
specified S300 and M300 amplifiers as 300W with the same
Icepower module (200ASC). These modules can produce
momentary power of 290W at 10% distortion and only at 230V
supply. Useless specification but 300W looks better than
200W on the paper.
even doubles power exactly. I don't even care for the one
that does, since in order for this to happen amp has to have
hefty power supply but also lots of negative feedback.
On the other hand listed power specification is useful only
if you listen to sinewaves. Music demands very little power
on average, since half of the loudness is 10% of the power
and music has gaps. Heavy orchestral pieces might demand
more power but Jazz trio needs very little. Maximum current
is perhaps more important. Power specifications are very
vague. It can be FTC, EIA, CEA or no standard at all. FTC
defines amplifier's power when both channels are driven over
full audio band 20Hz-20kHz for 5 minutes after one hour
preheat at 1/3 of power and meeting listed distortions. EIA
requires test at 1kHz and 1% THD without preheat for one
channel only (not sure how long). CEA test requires 5
minutes at full power at 1kHz without preheat, while other
channel is driven at 1/8 of max power (why 1/8 ???). Most
of class D amps would not even pass FTC test, having very
limited power at high frequencies. The only class D modules
manufacturer I know that specifies full power bandwidth is
PASCAL but it is useless anyway since music demands very
little power at high frequencies, not to mention size of the
tweeters. Most of manufacturers don't even specify what
standard, if any, they use for testing. For instance
Icepower module in my 200W Rowland model 102 is specified at
only 55W FTC power limited to 0-8kHz with explanation
"The power bandwidth is limited due to the output Zobel
network". Continuous module power is listed in
datasheet as only 40W @ 25degC and 25W @ 50degC. Bel Canto
specified S300 and M300 amplifiers as 300W with the same
Icepower module (200ASC). These modules can produce
momentary power of 290W at 10% distortion and only at 230V
supply. Useless specification but 300W looks better than
200W on the paper.