John Atkinson's thoughts on the New Vandersteen System Nine from LA Show


I have read JA's outstanding reviews of Vandersteen speakers for years, but this is the first time he's heard their new System Nine.  Please read all the way down as Fremer mentions the late AJ Conte's outstanding TT:  Enjoy

From JA:
The first room I went to at the 2017 LAAS was that hosted by LA dealer Optimal Enchantment featuring a system based on Vandersteen's Model Seven Mk.II speakers ($62,000/pair) and M7-HPA amplifiers ($52,000/pair), which I reviewed in May 2016, this time reinforced by a pair of Vandersteen's SUB NINEs operating below 100Hz. It may have been the first room I visited but as good as many other systems sounded, they didn't match what Vandersteen refers as System NINE for its effortless sweep of sound, precise, palpable imaging, and smooth yet detailed high frequencies. On the title cut from a test pressing of Dave Brubeck's Take Five, the reverb surrounding Joe Morello's drums in his solo was more audible than I hear from my own system and the textures of his cymbals were superbly well differentiated.

The rest of the system comprised Audio Research Corporation's REF-10 phono preamplifier and line stage, with isolation stands and bases from Harmonic Resolution Systems (HRS) and cabling and power-line conditioning by AudioQuest—a Niagara 7000 for the amplifiers and Niagara 5000 for the front-end components. But it is the LP player in this room that drew visitors' attention.

image: https://www.stereophile.com/images/060217-Basis-600.jpg

Michael Fremer shared my enthusiasm for the sound in this room, which had LPs played on the late AJ Conti's Transcendence turntable with the Super Arm fitted with a Lyra Atlas cartridge. In Mikey's words: "This turntable is the acrylic-free, minimal-plinth design I always hoped AJ would design and build."


Read more at https://www.stereophile.com/content/jas-final-report-2017-laas#mX8Fja9AgBY4SDyp.99
ctsooner
Hifiman, many of us have been audiophiles for many many years and have owned a ton of gear.  You used the word objective and I concur.  Right now I love Vandersteen's, but I purchased Proacs over Vandy's many years ago, even though my dealer sold both.  I own Ayre, but was always a tube guy and still have an Aestheix Rhea I'm about sell sell (getting out of vinyl) as I didn't like the Ayre phono stage.

Plenty of great gear out there that would make me happy to own.  Before I purchased my new Quatro's, I scoured the market. I went to listen to everything I possibly could hear.  As I've always said, my ear love the Vandersteen's.  I am not into looking at drivers when I listen.  All I know is that when I audition speakers, if I'm talking audio with the sales person after the first two or three cuts, then I know I'm not into the gear I'm listening to.  As audio has gotten better and better, I still haven't found speakers other than my Vandy's where I just want to go up and listen for hours on end.  Others I speak with often feel the same about their speakers and that's awesome and the way it should be.

I guess I knew that haters would come to this thread to change the intent, so I'll try to move it back to what it was originally about.

JA waxed poetic about Vandersteen's 9 system along with the AR pre and the Basis TT.  I was wondering if anyone got to listen to this set up and what they heard.

Again, I'm so intrigued by swarming subs to smooth out the response and also to move even more air as needed.  I know Vandersteen was working on a huge speaker that would have been called the 9, but with that huge cabinet he wasn't able to get the sound to be coherent and point source like, which they are known for.  I think that separating the subs like he's done should make this system even better than the behemoths out there, because the four subs (two built into the speakers) all have 11 band eq and you can move them around the room and aren't tied to just two spots like you are with two speakers.  

I wonder if others will do the same with their systems as it's proven that using 4 or more subs works best.  Even for inexpensive subs like 'The Swarm' you can get really good bass.  Bass is the most expensive part of the spectrum to recreate properly. That means both tonally as well as going deep AND moving air.  I've heard too many subs move a ton of air, but not tonally accurate.  I've heard subs that will move air, but tonally accurate, but NOT recreate the lowest of octaves.

I haven't loved most sub systems for audio.  For me, the only way I've enjoyed a sub system is when you are using a full range speaker so you have more continuity from top to bottom.  

I'm hoping that maybe we can stay on course about subs as I'm trying to learn more. I haven't spent enough time with subs to be totally comfortable with their integration.  The Quatro's are the first subs I've had in my room that work and it's because we were able to eq them and I do like that the design has allowed my amp to be freed up from 100hz on up.  For me, it's been a major transformation.  I don't know if other subs have analog integration like this??  I have yet to hear anything done digitally that you couldn't hear.  I too would love to set up a mike and hit a few buttons and be done with it.  I had that in my spare bedroom with a Marantz AVR set up with some small Paradigm/sub (it was cheap and most folks don't care, lol).  I liked it better without the digital correction. I have also hear the Lyndorf digital deal in a  room that has a terrible 50hz vibration (yes, it's in a showroom and they've had this problem since 1980 or so) and it took care of it, but honestly it ruined the rest of the sound for me.  Spec of veiling.  

Ok, that's where I'm at and I'm much more open minded than many may think when reading my posts.  That said, I'd love to hear thoughts on the few subjects that are out there in this thread and maybe haters can go to another thread since they aren't interested in what I think could be a fun discussion.  Thanks
no haters here...I think the 5A Carbon is as good as any speaker I have heard at length...
so nobody so far except JA has heard it.
i myself wonder because i have a smallish room for 7's and  ( foot print but not volumemetrically )squeezing in subs would be difficult.
my system is pretty flat, yes the first stop is quite audible and articulate. does 99.324 % of my music collection tax it ? NO

am i a fanboy ? sure but i also own and listen to other speakers including Apogee Stage, Cornwalls...( hey i needed something for the garage )

as for the 9 subs - relative to what are they expensive ?
analog EQ
automotive paint enclosure
cabinet inside a cabinet carbon fiber enclosure
600 Watt power factor corrected amp

thank God we have choices

Thanks for sharing Tomic.  Too funny as I have had the Stages many years ago and I wanted Cornwalls since I got started in audio in 69 or so.  Too funny..

I agree on the cost.  I work know a carbon fiber manufacture who designed and makes the CF wheel chairs for racing as well as the BMW hulls for crew.  I have also worked with it and it's very expensive and it's not easy.  Did I mention how expensive it is?  I also know that my Quatro's, that have the auto paint went through many clear coats as well as cutting and buffing.  That's a LOT of labor as I finish my wood projects and it's a long drawn out process to get it perfect.  I have yet to find a flaw in my paint (yes I look with my special light and mag glass, lol.  Not a swirl in the finish.  I am going to do my own ceramic nano coating on them too.  


yes CF especially the aerspace grade stuff Richard uses is brutally expensive.
i was blessed to do some composite work on simple products like the space shuttle, F-22, 787 and more...
getting a bond to balsa core is proprietary and deservedly so.
to my knowlege Vandersteen are the only ones to do it with end grain....
so yes the cabinet is SOTA