I haven't listened too the Parasound at all, and therefore cannot make any comparisons which is usual here at Audiogon. But I do think I can offer some insight none the less. I own the Krell 400XI and love it but I want to clear up a few things.
1. The Krell 400XI has a decent power supply (large) but suffers from inadequate heat sinks. If you actually look inside it's quite sparse. I have driven a pair of Dynaudio 52SE's and Aerial Acoustic 5's with no problems. The Dynaudio's are a fairly easy load impedance wise as it's rather liner, the Aerial's are more difficult but made for a good pairing with the Krell. I haven't found heat to be a problem yet, although I've often wondered.
2. The Balanced 'myth'. I have used this Krell with both the RCA and XLR's and I think most people hear the +6db increase and assume balanced is superior. This is where I get rather annoyed. Matching dB levels between balanced and single ended the differences are there but not as striking. Also, the Krell 400XI isn't fully balanced as some marketing suggests. Sorry Krell owner's this is fact not fiction. It uses Balanced Differential Circuity as opposed to a completely balanced design. While I agree this does improve low level detail (and I prefer it) some would argue that Krell is simply adding a circuit and therefore adding a stage which can be audibly heard.
I like my Krell don't get me wrong. It's done nothing but given me good music. But as much as I get irritated by the anti-Krell 'they make statistical amplifier's not musical components' crowd I find a lot of mis-information gets thrown about by both sides. At the end of the day it's a nice Integrated for a fair price which looks appealing to the eye and measurements that help sell the product. Some of these measurements are taken out of context (Balanced Design) or sometimes exaggerated (4 Ohm rating). I still plan on keeping mine.
1. The Krell 400XI has a decent power supply (large) but suffers from inadequate heat sinks. If you actually look inside it's quite sparse. I have driven a pair of Dynaudio 52SE's and Aerial Acoustic 5's with no problems. The Dynaudio's are a fairly easy load impedance wise as it's rather liner, the Aerial's are more difficult but made for a good pairing with the Krell. I haven't found heat to be a problem yet, although I've often wondered.
2. The Balanced 'myth'. I have used this Krell with both the RCA and XLR's and I think most people hear the +6db increase and assume balanced is superior. This is where I get rather annoyed. Matching dB levels between balanced and single ended the differences are there but not as striking. Also, the Krell 400XI isn't fully balanced as some marketing suggests. Sorry Krell owner's this is fact not fiction. It uses Balanced Differential Circuity as opposed to a completely balanced design. While I agree this does improve low level detail (and I prefer it) some would argue that Krell is simply adding a circuit and therefore adding a stage which can be audibly heard.
I like my Krell don't get me wrong. It's done nothing but given me good music. But as much as I get irritated by the anti-Krell 'they make statistical amplifier's not musical components' crowd I find a lot of mis-information gets thrown about by both sides. At the end of the day it's a nice Integrated for a fair price which looks appealing to the eye and measurements that help sell the product. Some of these measurements are taken out of context (Balanced Design) or sometimes exaggerated (4 Ohm rating). I still plan on keeping mine.