Krell KAV-400xi vs. Parasound A21+P3


Hi all,

Which one is better between Krell KAV-400xi and Parasound A21+P3?

I have a pair of NHT classic three with Kimber 8TC.

I am open for other amp that is less than $1,400.

Any suggestions are appreciated.

Thank you
trinnatee
I read that Stereophile review several times before I decided to take a chance on the 400xi because I too had concerns. According to John Atkinson's measurements taken of the Thiel 2.4: "Not only does its impedance drop to 2.73 ohms at 600Hz, but it stays significantly below 4 ohms from 100Hz to 50kHz, and there is a difficult combination of 4.5 ohms magnitude and –45° electrical phase angle at 80Hz."

After two weeks of serious listening in the evenings, sometimes at SPLs from 8 feet from the Thiels up around 85 to 90 dB, the 400xi gets hot, but not so hot that I cannot keep my hand on top of the amp. So it seems that even 2.73 Ohms minimum and a nominal less than 4 Ohms is OK for the Krell 400xi.

Also, according to the Krell's measurements and for other amps, Atkinson's test regimen puts amplifiers through some quite serious stress; music is a very different source signal than pink noise or 1kHz/10kHz square wave tones. And look what he did to thermally stress this amp so that it was cranking 500 Watts before he got the fuse to blow into 2 Ohms! Also, Atkinson points out that, "Concerned about the temperature-dependent nature of the amplifier's linearity, I measured the manner in which the KAV-400xi's THD+noise percentage varied with frequency at a moderately high level (16V) into 2, 4, and 8 ohms. The results are shown in fig.5: the audioband distortion is nicely below 0.1% into 8 ohms, with the right channel a little more linear than the left. A rise in THD above the audioband gets more severe into the lower impedances, but this is nothing to be concerned about."

The other thing too is that he thermally stresses the amp and does the waveform analysis when maximally thermally stessing the amp, something he does not routinely do for other products. That seems a bit unfair and I wonder if he has some chip about Krell that we don't know about.

He concludes that one should not partner the amp with speakers less than 4 Ohms (I conclude nominal impedance) but in my experience all is well.

Music does not stress an amplifier the same way as Atkinson does in the lab. And while I admire some of the punishing tests he puts SOME, NOT ALL amps through, readers will also remember that he admits that some of the tests he performs requires that he stand well away from any amp he puts them through some of these tortuous experiments. Gee I wonder why and what does that tell you?

I'll bet Atkinson has seen his share of dazzling fireworks.

The 400xi could probably use a bit more heat sinking, but under "normal" listening conditions (I mean are you guys risking your hearing in excess of 90 dB routinely???) and even a tougher load, this amp seems to have no issues. I'm not gonna lose sleep over this but instead enjoy how great it sounds. And great it does sound!

Cheers!
Steve
Hi Steve,

I never heard the A21 or the A23 Parasound .. but I own the Thiel 2.4 and two Parasound Halo JC1 and believe me these amps are one of the best amps to drive these Thiels
I should give thanks everyday to Audiobroke and some other guys here that suggested me to buy the JC1s!

My cent!
Stevecham - high appreciations for your input and further clarifications of JA measurments...

However, I could not live with amp proclamed at 200/400Wpc (8/4 ohms) with a smallish 750VA transformer. Cooling devices aside...

If I were asked, I would create a Krell integrated between heavily compromised KAV-400xi and absolutely non-compromised (and insanely priced) FBI... At some 5-6k dollars, this one may be the killer...
Zormi, I agree with what you say. However, depending on the size room to be filled and the dynamic needs of the listener, design considerations aside, sonically and muscially the 400xi is a value winner. As I said it compares favorably with my KCT/400cx combo and certainly that combo isn't lacking in power capabilities.
Stevecham< "not to mention a much better current capacity doubling down to 2 Ohms. Parasound gear is not rated at 2 Ohms. If you don't need this current capability then Parasound may well fit your needs."

The current ability of the Parasound and heat dissapation is one of the main reasons to get the Parasound.

You also certainly can't compare the old lower tier Parasound designs to the new Halo stuff. They are completely different animals.

Comparisons
Krell: 750va Transformer
Parasound: 1.2 kva Transformer

Krell: 55,000 UF power supply filter capacitance
Parasound: 100,000 UF power supply filter capacitance

Krell: weight 36lbs
Parasound: combined weight 75lbs (The power transformer alone weighs as much as the Krell integrated)

Krell: Current ?
Parasound: 60 peak amperes per channel

Krell: Get's hot under normal listening conditions
Parasound: Runs relatively cool even when driven hard

The Krell is not rated for 2 ohm use either, not on their website, and not in the manual (and it certainly won't "double" it's current capacity at 2ohms, if it could it would weigh about 100+lbs), but I'd be willing to bet money in a 2 ohm torture test that the Krell would give up the ghost MUCH sooner. It's just physics. A much larger power supply, and much larger heatsinks will deliver more power (current)and dissapate more heat under any given load.

I'm not saying that the Krell isn't a great product. It is very attractive, has a good build quality and performs reasonably well for a $2500 integrated, but it still is just a somewhat compact integrated amp. I'm sure it is very enjoyable to listen to. This is still just the lowest model in the Krell line though.

In the back of my mind sometimes I think that all this crazy system with all it's complexity, variables, and cost might just be simpler and better served with just an integrated such as the Krell or Creek Destiny, and a player and pair of speakers... Then I sit down a listen to a new CD I picked up and realise why I do all this. It's probably the single most enjoyable thing I have in my life to be able to hear music like I'm in the studio with the artists. There isn't an integrated that can yet do that.