I want to add my very positive initial experience with the Lightspeed here. After receiving some good advice on amp input voltage here, I purchased and plugged in the LSA into my system about a month ago and am very impressed with it in terms of:
1) detail - every recording I listen to now has added lines, inflections and colors;
2) color - the diversity of sound colors I now hear is maybe the biggest single change I've experienced. I listened to Philippe Herreweghe's sonically-excellent recording of the Mozart c-minor serenade for 8 wind instruments soon after getting the LSA. It was like listening to a kaleidoscope of timbres, with each of the instruments differentiated by register, type of attack and dynamic. Amazing.
3) musicality - this is maybe the most surprising effect, for which I was totally unprepared. The performers actually seem to be more "human". There's also a "spaciousness in time", in that the melodic lines "breathe" more (boy, is writing about music hard). My working hypothesis is that this is a result of the added detail: one can now hear more of the inflections given to the notes, especially during the initial attack, and this decrease in blurring at the transient edges of sound adds ease and expressivity to the music.
So I want to thank George, Pubul and Clio for turning me onto a component that is the end-state for my system (off the merry-go-round!). A few technical comments:
1) With my 1.8v DAC feeding my 2.1v input amp, I find most of my listening to be in the 12-2 o'clock range.
2) I swear there was some break-in in the bass with the LSA, lasting maybe 5 hours.
3) I am a newbie compared to the very experienced audiophiles here. I think suggesting a DAC/passive preamp/high impedance amp combo is a must whenever recommending a path forward for a newbie or someone with a less expensive system. I have a combined $2.5k sunk into my components between transport and speakers (ex-cables) and I think I'm done. Beat that price/performance ratio!
System: Transport -> Nixon TD-2 DAC with added power supply -> LSA -> W4S ST-500 -> framed Maggie MMGs.
The LSA replaced a modded Forte F-40 ss preamp which I think is very musical but which I now believes is grainy (not its rep).
1) detail - every recording I listen to now has added lines, inflections and colors;
2) color - the diversity of sound colors I now hear is maybe the biggest single change I've experienced. I listened to Philippe Herreweghe's sonically-excellent recording of the Mozart c-minor serenade for 8 wind instruments soon after getting the LSA. It was like listening to a kaleidoscope of timbres, with each of the instruments differentiated by register, type of attack and dynamic. Amazing.
3) musicality - this is maybe the most surprising effect, for which I was totally unprepared. The performers actually seem to be more "human". There's also a "spaciousness in time", in that the melodic lines "breathe" more (boy, is writing about music hard). My working hypothesis is that this is a result of the added detail: one can now hear more of the inflections given to the notes, especially during the initial attack, and this decrease in blurring at the transient edges of sound adds ease and expressivity to the music.
So I want to thank George, Pubul and Clio for turning me onto a component that is the end-state for my system (off the merry-go-round!). A few technical comments:
1) With my 1.8v DAC feeding my 2.1v input amp, I find most of my listening to be in the 12-2 o'clock range.
2) I swear there was some break-in in the bass with the LSA, lasting maybe 5 hours.
3) I am a newbie compared to the very experienced audiophiles here. I think suggesting a DAC/passive preamp/high impedance amp combo is a must whenever recommending a path forward for a newbie or someone with a less expensive system. I have a combined $2.5k sunk into my components between transport and speakers (ex-cables) and I think I'm done. Beat that price/performance ratio!
System: Transport -> Nixon TD-2 DAC with added power supply -> LSA -> W4S ST-500 -> framed Maggie MMGs.
The LSA replaced a modded Forte F-40 ss preamp which I think is very musical but which I now believes is grainy (not its rep).