Lightspeed Attenuator - Best Preamp Ever?


The question is a bit rhetorical. No preamp is the best ever, and much depends on system context. I am starting this thread beacuase there is a lot of info on this preamp in a Music First Audio Passive...thread, an Slagle AVC Modules...thread and wanted to be sure that information on this amazing product did not get lost in those threads.

I suspect that many folks may give this preamp a try at $450, direct from Australia, so I thought it would be good for current owners and future owners to have a place to describe their experience with this preamp.

It is a passive preamp that uses light LEDs, rather than mechanical contacts, to alter resistance and thereby attenuation of the source signal. It has been extremely hot in the DIY community, since the maker of this preamp provided gernerously provided information on how to make one. The trick is that while there are few parts, getting it done right, the matching of the parts is time consuming and tricky, and to boot, most of use would solder our fingers together if we tried. At $450, don't bother. It is cased in a small chassis that is fully shielded alloy, it gets it's RF sink earth via the interconnects. Vibration doesn't come into it as there is nothing to get vibrated as it's passive, even the active led's are immune as they are gas element, no filaments. The feet I attach are soft silicon/sorbethane compound anyway just in case.

This is not audio jewelry with bling, but solidly made and there is little room (if any) for audionervosa or tweaking.

So is this the best preamp ever? It might be if you have a single source (though you could use a switch box), your source is 2v or higher, your IC from pre-amp to amp is less than 2m to keep capaitance low, your amp is 5kohm input or higher (most any tube amp), and your amp is relatively sensitive (1v input sensitivity or lower v would be just right). In other words, within a passive friendly system (you do have to give this some thought), this is the finest passive preamp I have ever heard, and I have has many ranging form resistor-based to TVCs and AVCs.

In my system, with my equipment, I think it is the best I have heard passive or active, but I lean towards prefering preamp neutrality and transparency, without loosing musicality, dynamics, or the handling of low bass and highs.

If you own one, what are your impressions versus anything you have heard?

Is it the best ever? I suspect for some it may be, and to say that for a $450 product makes it stupidgood.
pubul57
Ok...When I first received the LSA, it was placed in the system downstream of a Burson HA-160 DAC/pre. When the Burson's volume pot was fully open, I had a wide range of volume control on the LSA, with moderate volume achieved at around 10-11 o'clock on the LSA. The Burson is gone and I am awaiting arrival of the Metrum Octave DAC. Now....I took out an old, cheap-o dac I had in a closet (I have no idea what the specs are), and connected it to my Mac Mini via toslink. Doing this results in HIGH volume levels at 9 o'clock. I put a cd player into the LSA. I don't know the cdp's output impedance but at 2V it has the same output voltage as my incoming DAC, the Metrum. Same thing! 9 o'clock on the LSA is too loud.

Anyone else have an issue with the LSA achieving very high volume levels at a low position on the volume pot?
I had close to that issue with my CD player. I used to max out at around 10, which gave me very loud, but not ear splitting levels. Now I'm at 12 with loud (so my wife says) but comfortable levels. I don't know why or when the change. I have changed amps sometime inbetween so that might be it.

With vinyl, I'm now at 3 for pleasing but not head banging levels. I don't think I can get head banging levels with my amp which I'm now light loading.
Different amps will have different gains, so will sources, and speakers also have different efficiencies. This will all govern where the volume control (on any passive preamp or any active preamp tube or transistor), position will be for normal listing.
Now with the sources giving higher outputs than they ever have, and the recordings being higher in level also, too much gain is really becoming an issue with most systems.
This is why they are starting to make rca attenuators like the Rothwell Attenuators in -10dB and -20dB to take care of this problem.
http://www.decibelhifi.com.au/category42_1.htm
Another reason why there is no need for active preamps with gain, we have too much gain coming out of nearly every component in a system.

Cheers George