Sorry, just adding a research link
http://www.6moons.com/audioreviews/wyred2/preamp.html
6 Moons talks about how this amp is more like a passive.
Looking for preamp recommendations to go with First Watt J2 - Under $1K on used market
My system is:
First Watt J2 Amp
Passive preamp (DIY but good quality - Goldpoint dual mono attenuators, Cardas connectors, silver wire, etc.)
VPI Classic 1 (JMW 10 arm) w/ Ortofon Rondo Blue and Denon DL-301 MkII
Coph Nia MC phono preamp (60dB gain)
Jolida Glass FX DAC
Yamaha CDP
Klipsch Cornwall speakers
Kimber speaker wires
DIY Belden 4312 interconnects
I love the transparency of the passive preamp, but I am investigating the possibility of adding a little more gain into the system with an active preamp. I listen to vinyl 99% of the time, and I find myself pushing the limits of the J2 with the passive. Before I think about replacing my phono preamp section, I thought I might give the active preamp route a go.
The J2 has an input sensitivity of 1000kohm. I'd like a pre that has a MM phono section, since the Coph Nia does not. That would give me the ability to use a SUT at some point if I wanted to. But it's not a necessity.
Suggestions/recommendations are appreciated, especially if you are currently using the J2 as well. I want to make sure there is a good match between the J2 and whichever preamp I go with. And I definitely have no problem buying off the used market to maximize my available audio funds! To be clear, I have been using a passive pre for a long time, so I'm not really all that savvy about active preamps.
Thanks!
Tom
First Watt J2 Amp
Passive preamp (DIY but good quality - Goldpoint dual mono attenuators, Cardas connectors, silver wire, etc.)
VPI Classic 1 (JMW 10 arm) w/ Ortofon Rondo Blue and Denon DL-301 MkII
Coph Nia MC phono preamp (60dB gain)
Jolida Glass FX DAC
Yamaha CDP
Klipsch Cornwall speakers
Kimber speaker wires
DIY Belden 4312 interconnects
I love the transparency of the passive preamp, but I am investigating the possibility of adding a little more gain into the system with an active preamp. I listen to vinyl 99% of the time, and I find myself pushing the limits of the J2 with the passive. Before I think about replacing my phono preamp section, I thought I might give the active preamp route a go.
The J2 has an input sensitivity of 1000kohm. I'd like a pre that has a MM phono section, since the Coph Nia does not. That would give me the ability to use a SUT at some point if I wanted to. But it's not a necessity.
Suggestions/recommendations are appreciated, especially if you are currently using the J2 as well. I want to make sure there is a good match between the J2 and whichever preamp I go with. And I definitely have no problem buying off the used market to maximize my available audio funds! To be clear, I have been using a passive pre for a long time, so I'm not really all that savvy about active preamps.
Thanks!
Tom
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- 14 posts total
I'm not sure if you misread my comments. The Wyred 4 Sound is NOT a passive preamp. It is an active preamp. This is the closest active preamp that I know which keeps the idea (and sonic signature) of a passive preamp, but it adds gain where the signal level and impedance requires it. If you are looking for other active preamps, most will have some sort of sonic signature which adds coloration and changes the sound (which I assume is not what you're looking for). Based on your post, it seems you're looking for the most transparent preamp. |
10-4. The whole reason I am even considering an active pre is to add some gain when using my phono front end. With the passive in the system with the J2, my Coph Nia (at 60dB gain) and my .4mV or .5mV MC cartridge, I'm at about 90-93dB when the J2 is maxed out. Loud, certainly, but not Led Zeppelin or Pink Floyd loud when the situation demands it. I realize I can go to a SUT and a MM phono section and pick up gain there, or replace the Coph Nia with a MC phono pre with more gain. But the Coph Nia, with it's dual-mono design, is very good sounding, and I think I'd have to pay considerably more to upgrade it. I could also go to a mid-output MC cartridge, but there aren't that many available. So I'm just trying to determine the best path to take by investigating my options. Anyway, I'm not sure the Wyred pre would do what I'm looking for, although I could be wrong about that. The First Watt B1 buffer/passive a similar design, I think? |
A $450 solution you might want to consider would be to put an Antique Sound Lab Line Two DT between your passive preamp and the amp. It can be calculated from its specs that with its volume control at max (which would presumably eliminate any sonic effects of the control itself) it would provide a gain of 22.5 db. As you can see at the link it has specified impedances of 100K in and 1K out. While I wouldn’t be surprised if the output impedance rises to perhaps 3K or 4K at deep bass frequencies, that shouldn’t be a problem working into the 100K input impedance of the amp. Several years ago I used its predecessor model, the Line One, for a few months while my main preamp was down, and it seemed quite transparent, even with the stock 12AU7 tube. It inverts polarity, which of course can be compensated for by reversing the + and - connections to your speakers. Good luck. Regards, -- Al |
- 14 posts total