People are certainly going to have mixed opinions on any product. Further (to String's point), I have heard the big MBL sound boomy on a couple of different occasions. I've always thought that they need a very large room for the bass to sound natural and, even when that is optimized, I still find the bottom 2 octaves the speaker's greatest weakness. However,....
IME, the holographic 3D effect that the 101s reproduce is just stunning. It really is in a different league (in this respect) than anything else that I've ever heard, and I've heard a fair number of mega$ loudspeaker systems. (The only meaningful challenge that I recall came from an audition of the original Wilson WAMM, back in the day, and - if memory serves - that wasn't the equal of the 101).
When set-up well, the MBL can really produce a "reach out and touch it" illusion, and I specifically recall an electric guitar (at very high SPL) just hanging in space way in front of the accompanying rhythm section at the LA Stereophile show some years back. Like 'em or not, I have a very hard time believing that anyone could fail to be impressed by that specific aspect of the 101s performance.
The comment regarding "no depth or space at all" suggests to me that there was a real problem with the set-up that String heard.
Marty
IME, the holographic 3D effect that the 101s reproduce is just stunning. It really is in a different league (in this respect) than anything else that I've ever heard, and I've heard a fair number of mega$ loudspeaker systems. (The only meaningful challenge that I recall came from an audition of the original Wilson WAMM, back in the day, and - if memory serves - that wasn't the equal of the 101).
When set-up well, the MBL can really produce a "reach out and touch it" illusion, and I specifically recall an electric guitar (at very high SPL) just hanging in space way in front of the accompanying rhythm section at the LA Stereophile show some years back. Like 'em or not, I have a very hard time believing that anyone could fail to be impressed by that specific aspect of the 101s performance.
The comment regarding "no depth or space at all" suggests to me that there was a real problem with the set-up that String heard.
Marty