MC-MM-MI CARTRIDGES . DO YOU KNOW WHICH HAS BETTER QUALITY PERFORMANCE? REALLY?


Dear friends:The main subject of this thread is start a dialogue to find out the way we almost all think or be sure about the thread question :  " true " answer.

 

Many years ago I started the long Agon MM thread where several audiophiles/Agoners and from other audio net forums participated to confirm or to discover the MM/MI/IM/MF/HOMC world and many of us, me including, was and still are" surprised for what we found out in that " new " cartridge world that as today is dominated by the LOMC cartridges.

 

Through that long thread I posted several times the superiority of the MM/types of cartridges over the LOMC ones even that I owned top LOMC cartridge samples to compare with and I remember very clearly that I posted that the MM and the like cartridges had lower distortion levels and better frequency range quality performance than the LOMC cartridges.

 

In those times j.carr ( Lyra designer ) was very active in Agon and in that thread  I remember that he was truly emphatic  posting that my MM conclusion was not  true due that things on distortion cartridge levels in reality is the other way around: LOMC has lower distortion levels.

 

Well, he is not only a LOMC cartridge designer but an expert audiophile/MUSIC lover with a long long and diverse first hand experiences listening cartridges in top TT, top tonearms and top phono stages and listening not only LOMC cartridges but almost any kind of cartridges in his and other top room/systems.

 

I never touched again that subject in that thread and years or months latter the MM thread I started again to listening LOMC cartridges where my room/system overall was up-graded/dated to way superior quality performance levels than in the past and I posted somewhere that j.carr was just rigth: LOMC design were and are superior to the other MM type cartridges been vintage or today models.

 

I'm a MUSIC lover and I'm not " married " with any kind of audio items or audio technologies I'm married just with MUSIC and what can gives me the maximum enjoyment of that ( every kind )  MUSIC, even I'm not married with any of my opinions/ideas/specific way of thinking. Yes, I try hard to stay " always " UNBIASED other than MUSIC.

 

So, till today I followed listening to almost every kind of cartridges ( including field coil design. ) with almost every kind of tonearms and TTs and in the last 2 years my room/system quality performance levels were and is improved by several " stages " that permits me better MUSIC audio items judgements and different enjoyment levels in my system and other audio systems. Yes, I still usemy test audio items full comparison proccess using almost the same LP tracks every time and as always my true sound reference is Live MUSIC not other sound system reproduction.

 

I know that the main thread subject is way complicated and complex to achieve an unanimous conclusions due that exist a lot of inherent differences/advantages/unadvantages in cartridges even coming from the same manufacturer.

 

We all know that when we talk of a cartridge we are in reality talking of its cantilever buil material, stylus shape, tonearm used/TT, compliance, phono stage and the like and my " desire " is that we could concentrate in the cartridges  as an " isolated " audio item and that  any of our opinions when be posible  stay in the premise: " everything the same ".

 

My take here is to learn from all of you and that all of us try to learn in between each to other and not who is the winner but at the " end " every one of us will be a winner.

 

So, your posts are all truly appreciated and is a thread where any one can participates even if today is not any more his analog alternative or is a newcomer or heavily experienced gentleman. Be my guest and thank's in advance.

 

Regards and ENJOY THE MUSIC NOT DISTORTIONS,

R.

Ag insider logo xs@2xrauliruegas

Please offer a mechanism to explain why a “good LOMC suppressed groove noise better than the others”, other than that’s your opinion.

No you are wrong.

@frogman never said that was his opinion.

@frogman posted that this was his experience in his system with cartridges he has used in that environment.

There is a vast chasm between an actual lived experience and an opinion.

Doctors often offer an opinion because they have to cover off the fact that they may well be wrong with their diagnosis. Compare this with their patient who also may have their own opinion on their health woes, but it is only the patient that has actually experienced the ill health in their body and can describe accurately what they have experienced.

 

The answer to Raul's OP question seems to be no, nobody knows which cartridge type is inherently "better".  But most of us have an opinion.

And that's the sad fact about audio forums - there are so many opinions that are not based on actual lived experiences.

There are tens of thousands of posts in this forum claiming cartridge "a" was much better than cartridge "b", but probably substantially less than a thousand where the author actually described what the differences were in some detail with references to music played.

Furthermore  the number of times that someone posts their cartridge comparison and includes information on context - turntable/arm & phono used, would be less than 100.

Therefore many posts are meaningless, other than providing an opportunity for social discourse.

 

 

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Dear @dgarretson  : Certainly is a real pleasure to meet you here again, as a fact I know that as me several Agoners miss you and miss your very kigh knowledge audio world levels either technically and sound system first hand experiences. I hope you can continue, time to time, in this forum that needs gentlemans as you.

 

" throughout your epic thread I accumulated many vintage TOTL MM/MI cartridges, many NOS, and was finally convinced that on identical tonearms a Stanton 981LZS was pretty close to a Lyra Etna. Not to mention top Grace, Precept, Astatic, even an inexpensive Sonus Blue-- a fast and lovely sounding very high compliance design. "

 

As you several music lovers/audiophiles ( including me ) really enjoy that " new " long cartridge voyage that still today continue.

Your sentence about the Stanton/Etna truly helps me to confirm part of my opinion/answer that till today I don't posted yet in this thread. Obviously that I have my self OP conclusions that will share with all Agoners any time from now.

Btw, yes optical old design cartridge is the " fashion " ( for good reasons. ) in analog with the advantage ( along SG cartridge designs. ) that to develops voltage through tracking grooves velocitties both optical/SG makes it as an amplitude devices and yes as everything in analog has its own trade-offs.

Good to see you again.

 

R.