Thanks Kevin for your input. I heard others say the same as you. On the other hand, Bob Harley said it was the best to his ears. My yardstick is live music too. I've played it enough and listened enough over the years and I'm sorry to inform you if you haven't already noted by now that live and recorded are 2 different experiences. One can only hope to capture the essence of the performance through an audio system and to get involved in the performance. In the here and now I'm just afraid to report I haven't heard it duplicated. btw, I did enjoy the Merlin room more than any other room at that show, NYC 2002, of course I may be prejudiced :)
Merlin VSM-M or VSM-MX vs. Kharma CRM3.2 series
Has anyone compared the strengths and/or shortcomings of the Merlin VSM-M with B-Bam in a premium finish or the VSM-MX with B-Bam vs either the CRM3.2F w or w/o the Enigma upgrade or the CRM3.2D performing in a relatively small environment? Room size is approx. 12x10. The speakers would be powered with OTL's such as Tenor 75/75Wi's or the Joule VZN-80? Musical preferences in both Redbook and SACD formats are blues influenced jazz trios(Clark, Kelly, Phineas Newborn,Chambers,Burrel,early Davis etc.), acoustic,solo cellists,rock and alt. rock.
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- 62 posts total
- 62 posts total