I don't think they really take getting used to, unless you're used to a limited sweet spot, suckouts, and HF rolloff when you get off-axis. For me that was an easy thing to drop in favor of uniform power response throughout the listening area, more realistic timbres, and the same basic tonal balance wherever you go in the room (excepting, of course, the increased bass in corners and near the back wall.
You still get imaging, about as precise as you get in live music and a realistic soundstage that scales up and down according to the production and size of the ensemble. This does not come at the expense of the midrange; it doesn't sound like it's sitting in a hole, but is transparent and right where it belongs.
The two 5.5" speakers in a column with downfiring woofer works surprisingly well. Bass is very fast and clear, yet full and fairly extended. Should be good for rock. The 350s were from their budget line, now discontinued, with aluminum tweeter and less sophisticated cabinetry, but they should still do a good job for the money. Generally you'll want them 2-3 feet out from the wall, but mostly you lose some soundstage depth if you put them closer to the wall, as with most speakers.
You still get imaging, about as precise as you get in live music and a realistic soundstage that scales up and down according to the production and size of the ensemble. This does not come at the expense of the midrange; it doesn't sound like it's sitting in a hole, but is transparent and right where it belongs.
The two 5.5" speakers in a column with downfiring woofer works surprisingly well. Bass is very fast and clear, yet full and fairly extended. Should be good for rock. The 350s were from their budget line, now discontinued, with aluminum tweeter and less sophisticated cabinetry, but they should still do a good job for the money. Generally you'll want them 2-3 feet out from the wall, but mostly you lose some soundstage depth if you put them closer to the wall, as with most speakers.