Lots of good advice here. My understanding is that a true mono cartridge can have two coils but that each coil is designed as an independent mono coil, one for the left channel and one for the right channel.
There are many cartridges who entered the mono cartridges market in the past twenty or so years like Miyajima and Hana but other designers have been offering mono designs for decades. DECCA/London, Ortofon SPU and EMT have been at it for a very long time.
Personally I’m still modifying my Thorens TD 160 and it is a dedicated mono table with an AT 33 Anniversary mono cartridge. After upgrading my tonearm, I’ll probably replace my AT 33 with an EMT mono.
So I recommend at least looking at the EMT. It is considered as being in the same league as the Miyajima Zero but it costs a bit less.
Also, you may benefit from reading an older post of mine regarding mono cartridges. Jonathan Carr shared some his insights about his Lyra mono designs.
Finally, the stylus size and the groove width is a very real thing. I can hear the differences myself though it isn’t drastic. Hana offers a shibata stylus on their mono cartridge for those who play both micro groove and stereo lathe cut mono pressings.