MQA DAC or Not?


I’m running a Mac Mini with Audirvana to a DAC and recently decided to upgrade my DAC to a Schiit Gungnir Multibit only to discover that Audirvana and the Schiit don’t work together.
Currently I can get the Schiit dac to work with iTunes but not with Audirvana, won’t run in direct mode or at all with the Gungnir.

Questions?Ideas on getting these to work together?Or should I return the Schiit dac which isn’t MQA friendly and find a MQA compatible dac?
cdc2
I don't honestly know if MQA will sustain there are lots of variables in the mix.Here is a link I found that gives some of the latest content.

https://docs.google.com/spreadsheets/d/1T0xnOzPQZai32L7R7e_uzxfBqhXrPuXh3USOjvuztYg/edit#gid=1599853...


I do also agree with what many others have said regarding the playback of red book.With the very good gear we have today and the high quality sound I hear with my red book recordings,which is the majority of my owned and streamed from tidal collection,is the high res stuff really needed.

I quess time will tell.

Kenny.
So far, I'm leaning toward liking MQA. I have a streamer/dac that does the MQA thing and so far results have been pretty good. What I have been listening to  is the MQA on Tidal. And a lot of it sounds very good. Could these be nothing more than very good recordings or is MQA working its (subjective) magic? Time will tell. I for one, hope its the real deal as my results have been very encouraging to say the least.
Cheers,
Tim
I don’t have equipment that unfolds MQA but can still often hear differences due to the remastering of the Tidal MQA files and perhaps the effect of 24bit vs 16 bit on some MQA titles.

Some of Tidal’s MQA versions are sonic stinkers, IME. I listened to the Tidal MQA version of Linda Ronstadt’s "What’s New" last night. Oh my, the glare on her voice. The non-vocal sound of the MQA mastering is very nice indeed. I then listened to the ordinary non-MQA Tidal version and Linda’s voice was much more pleasing to my ears. This title has been one of my long-time references for detecting glare and brightness with equipment/cables. The MQA version sounds like when the VTA on my tonearm is adjusted "too high" with the vinyl version.

I am tending to agree with some others, even those with full unfolding capability, that the superiority of Tidal MQA depends on the title and the quality of the remastering, but could it be that full unfolding somehow tames these gremlins and, if so, is it sufficient to warrant investing in MQA-capable equipment? One can buy a lot of hi-rez downloads (wonderful sound) for that money, yet the selection is already much broader with Tidal and it seems that this will grow more pronounced over time.

Dave
I have the digital coax output of my Node2 going to a non-MQA DAC and to my preamp and connected the analog output of the same Node2 as another source to the same preamp. This allows me to switch between the two sources instantly and compare at a constant volume. I compared several different MQA and non-MQA contents from Tidal and in my system I cannot hear a difference whatsoever. FWIW.