New Maplenoll Ariadne owner needing advice


I have recently purchased a maplenoll ariadne. I have tried to learn a little about the table but find very little information. I know the table was discontinued in the 90's but the little i have found indicated it is a very good table. I am interested to learn if there are any tricks or problems to optimizing this table. As most of you probably know, it is an air bearing platter and tonearm. I plan on putting my zxy airy 3 on the arm once I get it set up.
oilmanmojo
Piedpiper : My remark was was a tad cheeky but I do feel the early tables may have more lead & perhaps were more tricked out for the reviewers. The TT I have was auditioned & purchased by Fred Kaplan who wrote an article for TAS later selling that unit to me. I believe that I may have aquired all the options including the smokey Retro Plexyglass Cover and an origional unused shipping carton. In my case I am never satified so over the years with the help of a tool&diemaker we redesigned the head-shell, the VTA adjustment screw , the trough paddle and the lower-plate center pin. The air chambers have been redesigned via the walker method and the top plate of the air bearing in the plith was epoxyed to eliminate the small air hole. The table rests on a hand made maple block. Soon I intend to put a bottom plate on the VTA adjustment bracket and redo the feet adjusters. Sometime in the future I intend to re-balance the lead platter. Kudos to you Piedpiper I enjoy reading your recomnendations.
The letter from Lloyd highlighted three key areas for performance improvement. I will work to scan the document to make it available via email. The first tweak was to firmly attach a brass threaded rod to the "brass cones" or feetand then tighten until the cones will not turn. This should strengthen the support system. The cones are set into lead disks. The right front cone is the one used for level adjustment. The second tweak is focused on improving the damping from the pump to the arm/platter. Lloyd recommends using the a plenum(resonance chamber) for the airpump discharge then splitting the flow to the platter and arm. The line going to the arm should be very long and should have an additional resonance chamber. The implication is the arm is much more sensitive to pressure fluctuations. I heartily agree with this approach based on my experience with directly hooking up a "too small" compressor to the system with the single plenum in the pump discharge versus using my "shop" air compressor which has a very large surge tank and pressure regulator to smooth out the pulsations. The performance of the arm dramatically improves with the higher pressure and use of the additional plenums. I also recommend installation of a pressure regulator between the pump and the plenums. The air line going to the platter should have a needle valve to maximize the air pressure to the arm. The final tweaks involve stiffing the tone arm connection to the VTA adjustment bracket. These tweaks include installing a bottom plate on the vta adjustment bracket, epoxy the top plate, trim the plastic plug in the back of the tonearm such that the metal part of the arm contact the vta bracket. Once adjustments for VTA are optimized, then actually epoxy the back of the arm to the vta bracket. This approach is meant to stiffing the system. The final tweak is dependent on the nature of the counterweight arm. If it is hollow, fill it with Mortite. Again I will try to scan the document and attach since the letter has some drawings that help one visualize the tweaks.

As for the vintage of the table, Greg informed me that the original owner was a person affilated with Absolute sound and he was the second owner.

Right now I am just enjoying the table as I have recieved it but I will implement some of the ideas that others have successfully completed. My first priority will be to adjust the lead platter as it appears during the shipment process, the platter was banged up a little. Being a solid lead plate should make this pretty easy. I have already smoothed out the platter so the record lies flat and the bottom does not rub but i do hear a little rumble near the damaged section of the platter when i lower the pressure to the platter air bearing. As the pressure is increased the rumble virtually disappears.
Thanks again for the ideas.
sounds like I've already done all of Lloyd's suggestions. I had gotten my 'noll new from Bob Dilger and had quite a lot of input about it both from him and Pierre and Lloyd, all of whom are friends of mine. I've used super glue rather than epoxy and my VTA bracket is machined out of solid aluminum with an integral bottom plate. Filling the counterweight tube with mortight was the first tweek I did. I had forgotten to mention it as it was so long ago.
Piedpiper : Initially , I filled the counterweight with mortight . Later, opting to remove the mortight repacking the tube with cotton pipe cleaners. The pipe cleaners allowed for damping the tube to suit my taste -- Four trimed , densely packed pipe cleaners appeared to be just right for me. Thanks to you and oilmanmojo for sharing a mother-lode of useful information.
Crem1,

you're nuts!

Of course, you knew that but...

Seriously though, what did you notice with your variable pipe cleaner damping?