Opinions on the Dynaudio DM 2/8


I'm curious to hear what people think about these speakers. I've read reviews on a few of the models in
the line (including one from TAS about the 2/8, and the 2/10 by HiFi-Choice) and they are very positive overall. People seem to think that based on their size they make great speakers for rock music, which I listen to lots of.

The 2/8 has caught my attention for this very reason. My dealer carries the Tannoy Prestige line with very large cabinets and drivers and they sound amazing. Obviously they are very expensive and should sound amazing, but I think the basic design has something to do with it: they seem totally effortless, are very resolving, and produce fantastic bass and a big sense of scale. They Dynaudios seem to get praise along those same lines. Large drivers in large cabinets must have a lot to do with this.

I currently run a pair of Quad 12L2, which I think are great speakers. But I think I hear their limitations when it comes to some of the harder stuff. They sound a bit thin and compressed, even on albums that are well produced. For example, Voodoo Lounge by the Stones, the softer stuff sounds great, the harder stuff a bit thin and congested in complex passages.

Am I on the right track with the 2/8? I can't help but think I am kind of downgrading, wondering if the cabinet on the 2/8 is of lesser quality. Certainly the finish is. I guess one could argue that a lot of what you are paying for a pair of Quads is going to the finish, whereas for the 2/8 it's going more into things like the drivers and crossover.
fusion10
Like many of the responders I have not listened to the DM 2/8's. Though I do have a pair of Dynaudio Audience 52 and a pair of Quad 12L2. I have been AB listening for several weeks now and cannot decide which I like better. I think that they are both good and that it kind of depends on the mood your in.
The Dynaudio's are a little more detailed, with a defined edge, more focus and a little forward.
The quads are smoother, a little laid back, and present the music as more of a sum total as opposed to individual instruments/vocals. That's the best I can explain it.
Maybe I'll keep them both and whenever I get that upgrade bug I can just switch them out.
Markmay, your description of the different strengths of the Dynaudio Audience 52 and Quad 12L2 matches my (admittedly very limited) experience of the two brands. For me, Quad 11Ls were great with electronics that emphasized transparency and imaging; they seemed to put the music together. The Dynaudio X12's detail and "defined edge" complement Naim's musicality and "wall-of-sound" presentation (which some love and others can't stand).
Folks,

I think the DM line is easier to drive and much more dynamic than the retired Audience line.

If you want to tell whether the Quad will outpeform Dynaudio, listen to these albums The Eagles Hell Freezes Over track # 6 & 8, Ice Cube Raw Material track # 4,9, & 15, and Massive Attack-Singles track #4 (Teardrop).

If the Quad sounded compressed and thin especially with IC track # 9 and Massive Attack track # 4, I don't think the Quad will suit your needs as a rock speaker.
Thanks for your comments, everyone.

Markmay, your description of the 12L2 rings true to me. I think they are a little lacking in detail, although that may be due to the fact that the midrange isn't as forward as I've heard on other speakers. Vocals and midrange instruments tend to be a little back in the mix, while bass and treble are more forward. I think this is what is giving me the impression that the Quads don't present the sense of scale and separation around instruments that I'd like to hear. I'd like a more forward midrange as that is where most of the music lies and it's just a more exciting sound when the midrange comes through.

I also agree about music being more of a sum total, despite the slightly forwards bass and treble nothing really pops out at me most of the time. It's smooth and very nice and treble/woofer integration is top notch. A lot of people say that this is better than a speaker that impresses you with certain things, as it should be about the song as a whole. However, I like hearing a few things in each song that make me go "wow!".

Added detail with more midrange presense, nice full and warm bass, and a smooth treble are things I'm looking for and glad to hear Dynaudio gets the job done. I'm probably going to replace my Exposure gear with the Audiolab 8000P and 8000Q (pre-amp and power amp). I was able to hear the 8000S integrated a year ago and really dug it. Full bodied, detailed, and with the tightest bass I think I've ever heard. Many will think it's a downgrade from Exposure, but I really enjoyed the sound and the added power (watts per channel and peak power current) should help deliver the sound I'm looking for.

I'm wavering though between the 2/8 and the Excite X16. For $400 more, the nicer finish, better cabinet, and better drivers are enticing. But I wonder if the 2/8 will excel at rock more than the X16 would. Tough choice! I'm also considering the Monitor Audio RX2, another big 8-inch driver speaker with nice build quality. As long as the tweeter isn't as harsh as the old RS series it might work out. Kind of the best of both worlds compared to the Dynaudio - the big driver the 2/8 uses but with the nicer build quality of the X16. And at the price of the 2/8.
MA RS 6 is a that gets many things done right and very little wrong. My only gripe is that their high is not as smooth as that of a Dynaudio DM 2/8 or Excite X 16. I do not know if the MA RX 2's tweeters got some improvement. If they did, they are great speakers for rock too if you don't mind the fact they are built in China.

I will say this. The DM 2/8 is an excellent choice. But you will not regret the premium that the Excite X 16 commands.

You can get a DM 2/8 and still have a few hundred dollars left for an Outlaw LFM 1 Plus. I usually have some reservations against the metal dome tweeters because they sound hot to my ears.