Origin live Cartridge Enabler - a review


This is a basic review aimed at those who are in a similar middle lane of the audiophile analogue motorway.
Enhancements are plentiful for turntables and provoke much intense debate. However I feel as though the use of them is particularly relevant for those like me who have turntables at a lower end level.
So after much review and forum research I decided on Origin live also because I could save on delivery by obtaining a few items at the same time. Analogueseduction is another good option in this regard. Unfortunately, the platter mat I also ordered hadn’t been packed, so I only had their brush and the enabler to enjoy.

I`m aware that the theory is to channel unwanted disturbances from the cartridge into the arm, but I`ve always considered that just damping them would be better. Anyhow that in simple terms is the Enablers job.

The turntable itself is a 1990`s Roksan Xerses, the (platter is aluminium). I have an old Ringmat as platter mat at present. The arm an SME IV, the cartridge a VD Hul retipped Koetsu Black.

I became familiar with a fine pressing of Alan Parsons Eve, first track Lucifer which has quite a lot of detail before installation of the Enabler.

So installation was a bit fiddly, and note well, you will need bolts that are at least 5 mm longer to successfully complete the job. I made every effort to set the VTA as it was before installation, and checked alignments and the settings to make sure that they hadn’t changed.

The very first impression is that the sound is slightly thinner. Straight after that you realize that is because some of the – ringing, bloom? has been removed. So for example, a percussive tap, ting or knock is more definite. Again the bass is slightly lighter, but far less boomy. I player a Peter Gabriel track that sounded overblown in the bass when I listened a couple of days before. Now the bass was tuneful and balanced in tone with the rest of the instruments.

So initial impressions are ones of a satisfactory improvement, and again I maintain that with more modest equipment, if care is taken with the details, the end result can result in a worthwhile improvement. So as the professional reviewers say – highly recommended!

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I kept trying to say that my theoretical issue with the idea behind the Enabler means nothing and should be ignored by anyone who’s had favorable results. No matter what MC may think of me, I actually do try out modifications and tweaks in my own systems and I am often surprised by the results in the light of theory based predictions. I cannot claim to have experimented with the beloved PHT; mea culpa. I won’t because the maker does not offer even a vague explanation for why I should.

It’s very easy to add a few grams of mass to a tonearm. Heavier head shell screws and wrapping the arm wand in tape or heat shrink are some ways to do it. I will wager the Koetsu loves high mass even more than it may love the Enabler.
Speaking of originlive, I highly recommend their custom turntable belt. It was a significant improvement on my Well Tempered Turn Table. 
Interestingly enough, I will soon have the Origin Live Enabler, Mat, and Gravity One record weight. The Mat and Enabler are included with the Sovereign MkIV turntable, and the Gravity One was added at Mark Baker’s suggestion and after reading a lot of terrific reviews. The Enabler will be used on the new Enterprise MkIV arm, also due in next week. Assuming they clear Customs by then.....