2. amps-preamps
  3. 980408599

Parasound HCA2200II , Yeah or No-Way!

I am in need of an amp, used(older is ok) for my biamp custom speaker. Each cabinet has 2-12" woofers, 2-6.5 midbasses and a tweeter in the D'appolito/MTM array..all of high quality. Very similar to Dunlavy 5's or 6's. I am using an Adcom GFA-555II to power from approx 80hz to 20hz, with an electronic Marchand active crossover. I am in need of a solid state amp (under $1000) to power from 80hz-20,000hz and dont know what to do. I cant use tubes as I pick up radio interference from a CB tower several houses over. Speakers are 94db/1watt/1meter,but I am a volume freak at times and like to play it at concert levels(115-120db), with all types of music. I am considering Muse 100, Aragon 4004 MKII, Parasund HCA 2200II, ARC D-240,Classe 70,McCormack DNA-1, Musical Design D-140i, etc. Which of these amps will give me a smooth tubelike sound without being euphonically colored too much, or does anyone know of some other amp I need to consider. My other equipment is a Linn LP12/Vahalla/Circus/Ittok/ClearAudio Signature turntable, NAD 502CD, Hafler Musical Concepts Preamp(decked out), 2- Chang lightspeeds filters, and quality cables. Please be as honest as possible. I need some help very desparately!!
speakerfreak
jmcgrogan2's avatar
jmcgrogan2
6,346 posts
 
The Parsound HCA2200II is a very good amp, I'm using it now with a Audio Research LS-1 preamp. I've also owned an Aragon 4004, it is a little smoother but lacking the bass slam and detail of the Parasound. It depends on how much power you need, the ARC and Classe are fine amps I've auditioned them both, but won't play at ease at higher volume levels with less sensitive speakers.
panzercat
41 posts
 
I have owned the Parasound HCA 2200II for several years now. It was a big improvement over my Adcom 545 II and my brief encounter with the 555 II. I had a 545II for a long time and wanted a more powerful amp when I moved into a house with a big room. I bought a used 555, but while that transaction was going through, I found the Parasound, and bought that also. The Parasound was much more powerful and much more revealing than the Adcom's. Playing some concert Laserdisc's that I was familiar with revealed a lot of low level sounds that I never heard before, because they were buried by the louder stuff and muddied with the Adcom amps. So I was very satisfied. As I was shopping for $8K-10K speakers, nearly everyone that asked about my amp gave me a disappointed look, so I feel that perhaps I am missing out. After the speakers I will be shopping around for an amp to see how much better it gets. I imagine that there are many amps that would give me the same step up in quality that I noticed by going from Adcom to Parasound. It is a great bargin as a used amp, plenty of power, good quality for the price, although I'm sure there are lots of better sounding amps, but they are probably a decent amount more expensive.
justlisten's avatar
justlisten
489 posts
 
Years ago, I was expeimenting with a set up similar to what you are trying to accomplish. I tried the Muse 100, Classe 70, Spectral DMA100, Parasound HCA1200..but the winner was by far a Symphonic Line RG1 Mk2. The Symphonic Line wa the closest amp ive have heard with all the tube quality and the solid state slam. I now run tube monoblocks, but if I ever go back to SS, the RG1 is the only way id go.
justlisten's avatar
justlisten
489 posts
 
btw, the McCormack Dna1 was also auditioned with the other amps.
More to discover