Frank
I agree with everything you have stated.
In my work with real acoustic instruments I have found that when a new adjustment or device is introduced into their system path way there is a period of acceptance and also of expansion of soundscape and dynamics.
While this expansion of sound is like filling a tub with water or a balloon with air when the valve is released the sonic impression lingers until over a period of time it is gone. I have found the same of many audio devices and the same is true of the E Mats particularly in this comparison.
Unless your fully aware and patient this ebb and flow of energy within a device or system or in the confines of an audio room may be difficult at first to absorb and understand. Many times its not just what you hear but what you see and feel in the musicians motions and expressions and this is best related in my room with both TC and the Emats. Tom
I agree with everything you have stated.
In my work with real acoustic instruments I have found that when a new adjustment or device is introduced into their system path way there is a period of acceptance and also of expansion of soundscape and dynamics.
While this expansion of sound is like filling a tub with water or a balloon with air when the valve is released the sonic impression lingers until over a period of time it is gone. I have found the same of many audio devices and the same is true of the E Mats particularly in this comparison.
Unless your fully aware and patient this ebb and flow of energy within a device or system or in the confines of an audio room may be difficult at first to absorb and understand. Many times its not just what you hear but what you see and feel in the musicians motions and expressions and this is best related in my room with both TC and the Emats. Tom