’Some is music you simply can’t find on other formats. ’ has2be,
this is why I started investing in mono classical vinyl, due to its unavailability in the digital (remastered) format. I have some great original vinyl from the 1950’s as well as newly remastered and repressed mono vinyl.The inherent nature of owning this formatted type of recording is to realize the benefits of mono while excepting its limitations (though subjective). Which leads me to conclude that all recordings are limited in some way. John Cage was quoted as saying that "a recording of Beethoven’s 5th ain’t Beethoven’s 5th."
It’s hard to imagine a future reality when recorded music will equal or exceed the listening experience of a live performance. Even from an aesthetic perspective. This being a reference point, I then have to evaluate the very nature of a tube tuner vs a solid state tuner, electrostatic vs. dynamic speakers, an active line conditioner vs a passive one, etc..This being said, I don’t much see the point in getting just a tachometer to mount onto my turntable platter. It reminds me of the oscilloscope on the Marantz 10 B, something to watch in terms of visual stimulation. One might as well by fine art instead.With the Roadrunner, Phoenix and Falcon in mind, I’d like to also mention that an external device with the ability to make platter rotation corrections is intriguing however I would need to hear it in operation, or at least be told the audible advantages to owning one before buying the thing. And in today’s world where most transactions are done via online, these devices become very inaccessible. In other words, I’ve yet to be convinced of the audible advantages of hooking this equipment up to my Thoren’s belt drive turntable which might explain why the company went finito.
this is why I started investing in mono classical vinyl, due to its unavailability in the digital (remastered) format. I have some great original vinyl from the 1950’s as well as newly remastered and repressed mono vinyl.The inherent nature of owning this formatted type of recording is to realize the benefits of mono while excepting its limitations (though subjective). Which leads me to conclude that all recordings are limited in some way. John Cage was quoted as saying that "a recording of Beethoven’s 5th ain’t Beethoven’s 5th."
It’s hard to imagine a future reality when recorded music will equal or exceed the listening experience of a live performance. Even from an aesthetic perspective. This being a reference point, I then have to evaluate the very nature of a tube tuner vs a solid state tuner, electrostatic vs. dynamic speakers, an active line conditioner vs a passive one, etc..This being said, I don’t much see the point in getting just a tachometer to mount onto my turntable platter. It reminds me of the oscilloscope on the Marantz 10 B, something to watch in terms of visual stimulation. One might as well by fine art instead.With the Roadrunner, Phoenix and Falcon in mind, I’d like to also mention that an external device with the ability to make platter rotation corrections is intriguing however I would need to hear it in operation, or at least be told the audible advantages to owning one before buying the thing. And in today’s world where most transactions are done via online, these devices become very inaccessible. In other words, I’ve yet to be convinced of the audible advantages of hooking this equipment up to my Thoren’s belt drive turntable which might explain why the company went finito.