poor source material

If I had your problem I'd simply get a cheap 2d CD player and put a cheap equalizer between it and your receiver and reserve its use for those times you must hear the poorly recorded CD's.

There is no really good way of dumbing down a system so bad CD's will sound good, but I agree that you can improve the sound of a lot of 'bad' CD's if you put the money into a carefully thought out up-grade of your system.

A lot of folks have found that using (some, not all) tube CDP's and tube buffers helps with some CD's which are simply recorded hot and need some taming in the highs. With a buffer or tube CDP/DAC you can also control the tone quite a bit by tube selection.

Just something to think about.

Oh, another cure of sorts - when you are listening to the 'bad' CD's turn down the volume! :-)

Hi Ucsb21, Tell us a little more about your system, are the speakers new? The reason I ask is that some new speakers need to be played for a while so the rubber surrounds can loosen up, and I've read where your speakers are notorious for that and takes lots time. How are they positioned? Try aiming straight ahead with no toe-in and see if that helps, sometimes aiming a tweeter straight at your ears can sound harsh, but not always. also, how close are they to the back wall? Try moving closer or farther, it can change the tonal balance and help sometimes. Maybe a tube CD player will help, if you know someone that has one ask to borrow, their are used ones that come up here on the GON for not too much $. Look for Jolida or AH tube. etc. Good luck!!

Thanks for the replies people!

Let's see. To Musicnoise and Racamuti: I have a Rotel RCD 1072 connected to a Rotel RX 1050 via some basic Mogami cables. My speakers are Dynaudio Focus 140s and my speaker wires are Tara Lab Prisms.

The major issue I have with some of my albums is that the mids and highs appear to be hidden behind the music. The crash of cymbals, the snap of the snare, vocals etc. sound muted or veiled. If I adjust the treble and turn the volume up it makes it a little better but, not always.

The speakers are new and are nowhere close to the 100+ hours of break in but, I do have a lot of albums that sound fantastic with this current set up. Some examples include, Demolition by Ryan Adams, New Amsterdam Live at Heineken Music Hall by Counting Crows, Graceland Paul Simon, James Taylor greatest hits, Confrontation Bob Marley etc.

Albums that sound ok but, wish could be better include The gentle side of Coltrane and Subtitulo and Home by Josh Rouse.

Albums that were disappointments: Siamese Dream by Smashing Pumpkins and Let's talk about feelings by Lagwagon (HDCD), Futures by Jimmy eat World and Till the sun turns black by Ray Lamontagne and Lifted by John Legend.

Like, Shadorne mentioned, the recordings by the pop/punk labels sound the worst. With that being said I have plenty of pop/punk/hip hop albums that sound fantastic like, Lagwagon's Hoss and Wyclef Jeans' Carnival so again it is very hit and miss.

Again, the major issue for me was the missing mids and highs. Bass is not usually a problem. Sometimes it is a little boomy and loose but, that is most likely because of speaker positioning and the shortcomings from my receiver.

I am definitely going to have to start looking at higher quality recordings from now on! I'm very interested in seeing how much of a difference a dedicated amplifier and pre amp makes. Since I don't have enough money to upgrade both I'm thinking of using the receiver as a pre amp for now.

Thanks again for the replies!!!

Tobias has got it right. I think what happens to a lot of folks relatively new to the audiophile game is that they get seduced by the detailed sound of a few of the best CDs through a very detailed system, and then are horrified to discover (over time) that a lot of good material suddenly sounds lousy, and even unlistenable.

It doesn't have to be that way. As you listen to potential new gear, however, you have to become very conscious of the issue of listening fatigue, and how well a system brings out the best in even mediocre recordings. Trust your ears first, not a salesperson's (or Audiogoners' advice), unless you're satisfied that whomever it is shares your listening goals. (Personally, I would particularly cautious with that is described as "accurate" or "neutral." Those terms are misused or overused with some regularity, and sometimes can be translated to mean "bright" and "fatiguing.")

A number of us have been on the search for a compromise system for some time. Just look around on Audiogon...you'll find this issue discussed and debated fairly regularly. You'll likely at least get some ideas of some gear you might want to sample. Then, trust your ears.

Ucsb21:

Your last detailed statement has me raising my eyebrows. You aren't happy with the sound of any recording, yes? If so, this is indicating something else. Until you identify the problem, you could spend a lot of time and many thousands of dollars stabbing in the dark changing this, trying that, and spinning your wheels. To analyze this through a forum thread is not likely to find the problem or get you any closer to a solution. Do you have any audio friends that can listen first hand?

In the mean time, try experimenting with speaker placement, toe-in, front wall distance, side wall distance. See what happens.