I would like to thank all the contributors to this thread. Based on your observations, and friendly repartee, I ordered a Chenin, and just received it this weekend, and all I can say is, WOW Â what superb esthetics, and glorious music.
As far as IÂm concerned, the never ending discussion of whether a CD Player connected direct to an amp is better than a pre-amp in between, has been resoundly answered in the negative! In the case of the Chenin, and my system, there is NO comparison versus direct and Chenin intervention. ItÂs an understatement to say that inserting the Chenin between my Wadia 861 and CAT JL-1Âs created quite an improvement -- dynamics were improved, more detail was heard, the soundstage was better (both depth and breadth), and PRAT and musicality were improved.
Vocals were a prime example of the improvements wrought by the Chenin. They were found to be more Âfleshed out  i.e., they sounded more like a human was behind the voice. Pat BarberÂs and Alison KraussÂs vocals were both more musical and detailed -- changes in inflection and breathing were easier noticed without the added glare that sometimes comes with increased detail. And the really good news is that and all of these positives were heard right off of the truck, and out of the box, with essentially no run-in!
So, in the case of my system, by adding more electronics, and cables, IÂve added a layer of simplicity. Yep, it sure is counter-intuitive, but the Chenin sounds better than no preamp at all, and whether that means itÂs the pre-amp to end all pre-amps, I Âm not sure! What it does mean is that itÂs a darn good pre-amp, and one that adds, rather than deducts, and as a line-stage, itÂs a real keeper.
However, with that said, my primary reason for buying the Chenin was not for its line stage, but for its phono capabilities. Wanting to get back into vinyl after a couple decade hiatus, I thought the Chenin would provide a good avenue for doing this. If it improved my CD playback all the better, but since it is doing so with such aplomb, IÂm looking even more forward (if thatÂs possible) to the receipt of a new Galibier Quattro Turntable, and Tri-Planar Tonearm, and dusting off all the albums IÂve accumulated since the 1960Âs.
Thanks again to everyone for the time spent discussing this fine pre-amp, and to Mick for catering to us ÂAudiophools (he must be one himself), the Supratek Chenin is truly a wonderful product, and a great find.
As far as IÂm concerned, the never ending discussion of whether a CD Player connected direct to an amp is better than a pre-amp in between, has been resoundly answered in the negative! In the case of the Chenin, and my system, there is NO comparison versus direct and Chenin intervention. ItÂs an understatement to say that inserting the Chenin between my Wadia 861 and CAT JL-1Âs created quite an improvement -- dynamics were improved, more detail was heard, the soundstage was better (both depth and breadth), and PRAT and musicality were improved.
Vocals were a prime example of the improvements wrought by the Chenin. They were found to be more Âfleshed out  i.e., they sounded more like a human was behind the voice. Pat BarberÂs and Alison KraussÂs vocals were both more musical and detailed -- changes in inflection and breathing were easier noticed without the added glare that sometimes comes with increased detail. And the really good news is that and all of these positives were heard right off of the truck, and out of the box, with essentially no run-in!
So, in the case of my system, by adding more electronics, and cables, IÂve added a layer of simplicity. Yep, it sure is counter-intuitive, but the Chenin sounds better than no preamp at all, and whether that means itÂs the pre-amp to end all pre-amps, I Âm not sure! What it does mean is that itÂs a darn good pre-amp, and one that adds, rather than deducts, and as a line-stage, itÂs a real keeper.
However, with that said, my primary reason for buying the Chenin was not for its line stage, but for its phono capabilities. Wanting to get back into vinyl after a couple decade hiatus, I thought the Chenin would provide a good avenue for doing this. If it improved my CD playback all the better, but since it is doing so with such aplomb, IÂm looking even more forward (if thatÂs possible) to the receipt of a new Galibier Quattro Turntable, and Tri-Planar Tonearm, and dusting off all the albums IÂve accumulated since the 1960Âs.
Thanks again to everyone for the time spent discussing this fine pre-amp, and to Mick for catering to us ÂAudiophools (he must be one himself), the Supratek Chenin is truly a wonderful product, and a great find.