Preamp Deal of the Century


If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
slowhand
Stiltskin,
You've done a lot of tube rolling with your Chenin,
but I would ask you the original question again- regarding midrange glare, that Opus alluded to in his post, and I also mentioned couple of posts back ( I don't think he and myself are smoking the same stuff).
Being through many combinations of stock and NOS tubes, have you ever heard that glare??? (I'd be surprised if you didn't),
and what in you experience is the combination of rectifier, regulators and signal tubes, that gave your the most relaxing and musical quality sound.
As I mentioned in my post, I've only tried Black Glass KenRads and Grey Glass RCA VT-231, and now looking for
rectifier and regulators, that would give me that "relaxed,
musical and non- fatiguing quality".
I've been looking at Philips Miniwatt (Mullard metal base are hideously expensive, and hard to get), and maybe Sovtek or Chinese KT-66.
Appreciate your expertise greatly.
Hey Stiltskin. Great post. And you have to love the return on your investment on the tung-sol rounds.
Hi Maril555, I'm no expert in this area, I stumbled through this hobby on and off for 30 years....I have not experienced an annoying glare in the midrange while tube rolling.Except while my new tonearm wire was burning in. I wish I had it cooked.....My focus while checking out vintage tubes was the rectifier and the regulators in my Chenin.I found the Bendix rectifier in combination with apair of 6f6gs to add meat to the bone from the lower midrange on down.The same effect can be found with a new pair of Sovtek KT-66s and the Bendix. In the line stage area. It is a waste to spend hundreds on a select pair of 6SN7s Im using a used pair of R.C.A. GTs clear glass. I have many more 6SN7s on hand that I could use..... Going back to the rectifier and regulators.I took Ecclectique knowledgable and expert advise in this area. I believe Ecclectique at the time had a Syrah model. It could very well be that this model of preamp responds to vintage tubes more so then the newer models.I am thrilled that my Chenin does not.
Could it be that Marill555 and I are the only Supratek owners facing the glare issue ? Probably not. Maybe it's all like the kind of experience I had a number of years back, when I owned Apogee Diva speakers. While they did things (in a positive sense) that I had never heard before from any other speaker, they had---you guessed it--an annoying upper midrange glare, no matter what I changed, component wise, around them. When I mentioned this to Apogee's creator, Jason Bloom, he denied there was any glare, and virtually said I was nuts. Undaunted, I wrote a letter to the editors at Stereophile, asking the same question, while acknowledging Jason Bloom's denial. The answer that appeared in print affirmed my impression. Maybe some hear the glare in their preamp, and maybe some do not. Frankly, I'm somewhat in agreement with Stiltskin's remarks about tube rolling and its costliness, and I'm ready to try some other non-tube possible solutions. At the same time, based on what I've heard using the stock complement of tubes (for 200 hours) that the Cortese came with, I cannot agree with the assertions of some other Cortese owners on Audiogon who claim that the stock tubes in the preamp offer the best sound. Again, it's possible that either they don't have, hear or recognize the glare that, at least, Marill555 and I are hearing. I still feel the Cortese is a superb unit, and will continue my search for that more unforced kind of sound Marill555 refers to. I welcome any other observations and comments from others who may be experiencing the same issue, and who may have found a positive way or ways to deal with it. Of course, there's also the possibility of bringing this up with Mick, but at this time, I'd rather try to deal with this matter on my own and not bug him. I have the feeling he's had his hands more than full with Supratek owners and would be owners.

Opus88, I have been awaiting for the Cortese line stage to arrive (the Sauv.) and I have been following this thread and this concerns me. Is this only when you use the phono or both including line for cd?

I currently have a Audio Research Ref3, spoke to a few people including Mick and they say this Sauv. I ordered is quantum leaps ahead of my ARC piece. I referred to Mick and others saying "this is a bold statement to make" so I ordered one to find out for my self to see if it's factual or just hype.

I'm hoping it's factual because I really like the look and a bonus would to be able to have two, one for upstairs and one for down stairs and still have extra coin left over.

If I was you I would contact Mick with your issues to see if it can be resolved otherwise sell it and get a pre the doesn't do that, I would.

I bought a bunch of Bel Canto gear recently because I wanted to find out for myself if all the talk about Ice amps etc. was all that or just hype. The reviews that I read, please. The product is okay for what it is but not even close to what the reviewers wrote, I just recently sold all of it.