Preamp Quandary - sonics vs. ergonomics??


I have been auditioning (buying and selling) preamps for over a year now. My only absolute criteria is that the preamp must be a fully balanced design that has low enough output impedance to effectively drive my McCormack DNA 500 amp (10K input impedance). However, since my system is in the living room, there are some ergonomic considerations including the potential for other users. After trying several, I currently have two pretty good but different preamps, an Atma-Sphere MP3 that is maxed out with teflon caps, regulated power upgrade, caddock resistor package, and user-applied 3M constrained layer damping sheets. It also has Jensen transformers for phono that I do not use. My other preamp is an Ayre K-5xe which is an outstanding ergonomic match with my CX-7e source. The comparisons are;

Ayre K-5xe - very user friendly, stays on all the time, uses the same remote as my CX-7e source, no heat issues, dead quiet, smooth sounding with tight punchy bass and adequate decay for a SS unit, no turn-on/off issues, heat, DC worries or other tube related concerns. In other words a competant performer which is the perfect operational match for my situation.

Atma-Sphere MP3; deep bass, dynamics that you can feel in your chest, well-extended for a tube unit and has that "rightness" only tubes seem to be able to provide, outstanding 3-dimensionality, and an outstanding midrange that puts the performers in the room with you. In short, this is the best sounding preamp I have heard in my system, but not the easiest to use.

Have any of you made a similar choice, and did you have any regrets?
mitch2
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How about trying one of the more full function tube units out now? I just heard the ARC ref3 in my system and thought it souned very good. At the same time we had a BAT 52se for comparison, and it sounded wonderful too. Both of these things will basically do everything but make your coffee (I actually hear that ARC is comming out with their Mk pi-to the 3rd update that will take care of that issue though ;^)). The super tube 6H30 is supposed to last 10,000 hours or so... Tube maintenence shouldn't be too much of an issue.

Seems like the only thing you would be missing is the remote compatability with the Ayre CD player..... Then again you could always upgrade that too!

Chris
Hello Chris,

Do you mean the BAT 51se or the 32se? The reason why I ask is because I was just went down to the BAT factory last weekend and Victor told me they were waiting on some parts for the 52se so they could send out the first batch of them.

Thanks,
Tom
Thanks guys for your comments.
Tvad - you are right, I do like the McCormack and think it is an outstanding amp. I never have to worry about SS haze or grain with that amp, and I never have to worry about lack of power for the Aerials. I am curious whether your comment about boxing myself into a corner is related to using only balanced connectors, the lowish 10K input impedance, or both. If the impedance, I agree with you and have sometimes thought about other amps that might match it sonically and power-wise, with higher impedance. The most likely candidate is the JC-1's, although others I have considered are Mac 402's and Pass 350.5 (only 20K). If my pre to amp run wasn't 3M long, I would more likely try the single ended CJ Premire 350. BTW - I also agree fully with the last sentence of your second post which is well-stated.
To Jmcgrogan2; as weird as it sounds, the lack of a remote is the least of it, especially since almost all digital sources have remotes that can stop play or advance tracks. I almost like not having one for the preamp because I tend to set the level and enjoy the music, instead of messing with it all the time. The issue is more related to general tube things like heat, remembering to turn off the amp before the pre (A-S doesn't use a mute switch), differences in tubes, tubes wearing out, and that little bit of extra noise (although not much with the A-S). CMO has a good point, and I have considered a Calypso and ARC Ref 3, but probably not the BAT because I cannot afford the 51SE and I am concerned about the 6H30 "supertube." The models without the 6H30 (the 31 and 51) are said to lack resolution and high end extension, so I thought those would be a backward step from the A-S. I have tried the VTL 5.5 (nice and musical but poor soundstaging compared to the A-S), and the SF Line 3 SE (comparatively marginal bass definition and lack of "thereness"). I would like to hear the Ayre K-1xe in my system, but it is quite pricy. If I were to change everything, other combos in my price range I have thought about but not heard are Mac 402/C46, Calypso/JC-1's and CJ 350/P17LS2,P18, or P16LS.
The A-S really is a nice unit, but probably best suited to a dedicated room or single-operator system. I am listening to the K-5xe now, and it is very nice in every way, with no flaws or shortcomings, but just not quite the last degree of richness, clarity and dynamics that the A-S provides. If I had never heard the A-S, I would probably be perfectly happy with the K-5xe.
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