"Correct" volume level is something I have come to realize through multichannel recordings. A solo part,for example a violin, is usually located in the center channel. I know how loud a real violin can play, and I set the volume accordingly. However, when I do this I often find that the rest of the orchestra is too soft. The mix engineers figure that since the soloist gets the big bucks, he or she should be emphasized. In my system I can easily adjust the relative volume of the center vs the other channels. This is not so easy with a two-channel system.
Proper use volume control?
1) To move the soundstage forward or back to where it should be or where you like it.
2) To get fuller details from PPP to all the way to FFF.
3) To get the room playing as loud as you imagine/remember in a concert hall/stadium setting.
4) To "fill the room" without creating unwanted wall and other reverberations/resounances.
5) Any other reasons.
2) To get fuller details from PPP to all the way to FFF.
3) To get the room playing as loud as you imagine/remember in a concert hall/stadium setting.
4) To "fill the room" without creating unwanted wall and other reverberations/resounances.
5) Any other reasons.
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- 26 posts total
- 26 posts total