Onhwy61,
You might be right about the contract thing, but you might not be. No one seems to be certain what Reed was thinking (per the original post). AFAIK, Reed has never acknowledged that the record was a joke, (although the lingering risk of potential liability associated with doing so could explain that). As of last spring, so many years later when retribution by his label would seem unlikely, he defended the record in an interview I saw (can't recall where). In that piece, he maintained that the record was a breakthrough in "post metal". Was he just joking? Maybe, but a quick web search turns up a number of folks out there who, incredibly enough, agree with that assessment and take the record seriously.
Since the OP asked for a really bad release by a favorite artist that made you wonder "What was he thinking?", I'll stick with my assertion that MMM is the about the purest answer to that question that I know of.
Marty
You might be right about the contract thing, but you might not be. No one seems to be certain what Reed was thinking (per the original post). AFAIK, Reed has never acknowledged that the record was a joke, (although the lingering risk of potential liability associated with doing so could explain that). As of last spring, so many years later when retribution by his label would seem unlikely, he defended the record in an interview I saw (can't recall where). In that piece, he maintained that the record was a breakthrough in "post metal". Was he just joking? Maybe, but a quick web search turns up a number of folks out there who, incredibly enough, agree with that assessment and take the record seriously.
Since the OP asked for a really bad release by a favorite artist that made you wonder "What was he thinking?", I'll stick with my assertion that MMM is the about the purest answer to that question that I know of.
Marty